Posts in Category: Column


By Meredith Hughes

With cool air startlingly in abundance, the balloons are up, and safely down, we trust, through October 10 at the Albuquerque International Balloon Fiesta, which returns after two years with Corrales’ Matt Guthrie continuing as president of the board. A new entry? 

Remote-controlled  (RC) balloons. These are considerably smaller than the ones flooding the skies, around 12 to 18 feet high, as compared to 100 to 120 feet tall.

On October 9 catch a mass ascension, night glow and fireworks. October 10, naturally, is the “Farewell Mass Ascension.” Sounds sweetly Biblical…..

You also can follow the fiesta live via YouTube, and catch up after the Fiesta as well.

Do visit the websites of your favorite museums, galleries and organizations to check opening times/new regulations. Published the first issue of the month, What’s On? invites suggestions one week before the publication date.

  • The Smithsonian’s National Museum of Natural History streaming program, October 13, 5-6 p.m. Eastern, How to Be Animal: A New History of What It Means to Be Human, by environmental philosopher Melanie Challenger. “A new approach to the story of what it means to be human. She argues that “at the heart of our psychology is a profound struggle with being animal.” Sign up for this free Zoom event:
  • Indigenous Peoples’ Day, October 11. The Smithsonian’s National Museum of the American Indian in Washington, DC, offers an overview here as to why IPD is a good replacement for Columbus Day. It also offers online educational material for teachers and students. See: edu/nk360/faq/did-you-know  Last year Smithsonian Magazine published this: “Research showing that the majority of state and local curriculum standards end their study of Native American history before 1900, the importance of celebrating the survival and contemporary experience of native peoples has never been clearer.”
  • Adobe Theater returns live, October 15, with a production of “Dinner with the Boys,” by Dan Lauria, through November 7. It involves the mob. Get tickets at It’s at 9813 4th St. NW.
  • Home Composting Basics, October 16, 10 a.m. Register: Open Space Visitor Center, 6500 Coors.
  • Encantada, through October 24. It’s the annual exhibition of the Rio Grande Art Association, featuring more than 100 works. Thursday-Sunday, 11 a.m. to 5 p.m. North 4th Art Center, 4904 Fourth.
  • Pueblo Legacies, at Open Space. October 16, 12:30 to 3:30 p.m. Pottery demonstration, hands-on activity, and sale, presented by Stephanie Zuni, Isleta Pueblo potter. At 2 p.m., Traditional Medicinal Plants, presented by Dara Saville, founder and instructor at Albuquerque Herbalism. October 17, Talk and Tour of Pueblo Piedras Marcadas, 10:30 a.m. to noon. With archeologist Matthew Schmader. Learn about one of the most significant cultural sites in the middle Rio Grande Valley, part of the Petroglyph National Monument. Please call the Visitor Center 768-4950 to register. The new Open Space art show, up through December 18, is ‘New Mexico Light’ a collaborative show featuring The High Desert Tapestry Alliance and the Tapestry Artists of Las Arañas, two groups made up of tapestry artists who both design and weave. Open Space Visitors Center 6500 Coors.
  • Madame Butterfly, October 22-24, via Opera West. A chamber orchestra version of Puccini’s hit, even involving students from the Santa Fe School for the Arts. Tickets: St. Francis Auditorium, 107 West Palace Avenue, Santa Fe.
  • Albuquerque Art Museum, October 30, 2021 through January 23, 2022. Designing the New: Charles Rennie Mackintosh and the Glasgow Style includes “166 remarkable works of art and design, the majority of which will be on public display for the first time in North America. Characterized by taut lines, stylized natural forms, sleek curves, and emphatic geometries, the Glasgow Style was unique – the only British response to the international Art Nouveau movement of the late 1890s – 1900s.” 2000 Mountain.

Did You Know?

With Day of the Dead on its way,  Corrales’ Poet Laureate, Rudy J. Miera, is inviting submissions of poetry from all ages for what he calls a Corrales Community Altar.  The poems might include themes such as amor/love, recuerdos/memories, honor/recognition, and so on, in English or Spanish. And in haiku, free verse, or any style.

Type your work on a page 8 1/2x11 and include your name.

Poems will be  accepted on  Wednesdays and Thursdays this month from 10 a.m. to 5 p.m. at Casa Perea Art Space, 4829 Corrales Road. 503-7636.

Also, October 25, from 10 to 5 p.m., consider bringing photos, mementos, toys, and such for the Community Altar. Corrales Elementary students are working on artwork for this project.

The poems will be displayed on the altar at Casa Perea from October 28 to November 3. The grand opening is October 30, from 6 to 9 p.m. Miera reports that there will be an opening blessing by Mapitzmitl Xiukwetzpaltzin, aka Paz, founder of the Albuquerque-based Aztec dance group Ehecatl, ( named after the Aztec god of the wind,)  which includes the ritual “four directions” blowing of the concha.

The altar will come down by November 4, so plan to retrieve your items before that.

In Corrales

  • Corrales Bistro Brewery, October 18, 6 p.m., spotlights Californian Jonathan Foster, whose sound has been described as “Folk-Country-Americana with a strong vocal presence woven with imaginative lyrics, rootsy acoustic guitar, harmonica, and engaging songs that make you feel at home.” What better?4908 Corrales Road.
  • Trick r’ Trunk, October 31, at a time yet to be determined. That All Hallows evening, at the Rec Center. Usually attracting hundreds of costumed participants, decorated haunted vehicles and truck beds,but no hot air balloons this year.
  • Corrales Arts Center, October 22, 7 p.m. Virtual salon. Travels with My Cello: Encouraging Social Harmony in a Discordant World, with musician Janet Anthony, founder of BLUME Haiti, “Building Leaders Using Music Education.” Register here:
  • 33rd Annual Old Church Fine Arts Show, in person through October 10. Then online through October 31 at It’s a juried show, featuring works by 63 artists. Here are the Blue Ribbon Winners for each category: Ceramics, No entries this year; Collage, Virginia Primozic, Albuquerque, “Raul”; Jewelry, Kenneth Martinez, Corrales, “Silver & Turquoise Bracelet”; Media Making, Darryle Bass, Rio Rancho, “Mimbres Shaman”; Painting/Drawing, Deborah Paisner, Santa Fe, “Sunday Morning in Cerrillos”; Photography, Dennis Chamberlain, Corrales, “The Church of Golden New Mexico”; Printmaking, Greg Lasko, Placitas, “Doel Reed’s Home”; Sculpture, Mark Levin, Albuquerque, “Applelicious Wall Sculpture.”
  • Casa San Ysidro, October 9, 1-3 p.m. ( A Second Saturday event.) “From Spain to New Mexico: The Journey to Keep a Secret,” a free online program with historian Norma Libman. “Who are the Crypto-Jews and Conversos? Why are they in New Mexico? This presentation traces the history of the Jews during Spain’s Inquisition, including how Crypto-Jews kept their secrets in very dangerous times.” Zoom:
  • Village Council meetings, October 12 and 26, 6:30 p.m., still posted as via Zoom.
  • Planning and Zoning meeting, October 20, 6:30 p.m., apparently in person.
  • Corrales Library Book Club, Author series. Contact Sandra Baldonado for Zoom events details.
  • Music in Corrales is on a roll, with two upcoming concerts already sold out. But, you still can catch Friction Quartet on October 23, at 6 p.m. This Bay Area group will premiere “El Correcaminos,” a new piece by Albuquerque native Nicholas Lell Benavides. To buy tickets: To view all  the season’s offerings,  see http://www.musicincorrales. org/current-season/  Old Church.
  • Corrales Growers’ Market. Weekly Sunday sessions in October, 9 to noon. October 10, 17, 24, 31. Wednesdays, also 9 to noon, through this month. October 13, 20, 27. Still no dogs allowed…no music, either.
  • Village in the Village. Coffee hour, Fridays, 9 to 11 a.m. in person at Corrales Bistro. Reservations are required. Call 274-6206 or email corrales.viv Book Club, October 18 via Zoom, 3-4 p.m. “ A Tale for the Time Being,” by Ruth Ozeki. As described on Goodreads: “In Tokyo, sixteen-year-old Nao has decided there’s only one escape from her aching loneliness and her classmates’ bullying, but before she ends it all, Nao plans to document the life of her great-grandmother, a Buddhist nun who’s lived more than a century.”


By Mary Davis

West Ella at Old Church Road, 1963

Did you know that this is what the intersection of West Ella and Old Church Road looked like in 1963?

Few or no houses, dirt roads, a pony cart and a solitary fence. The entire length of Ella Drive from the Sandoval Lateral on the east to the Main Canal on the west had been platted (subdivided) in 1955 by Ella Gonzales Silva.

Ella, for whom the road was named, was the youngest daughter of Alejandro Gonzales, a prominent Corrales resident who had farmed the entire stretch of land for decades. From this 1963 photograph, it appears that little of the western portion of the large Vista Corrales Subdivision had been filled in during the previous eight years. However, an aerial mid-1970s photograph shows at least 20 houses had been built between the old Corrales Acequia and the Main Canal, and even a few had appeared west of the canal.

Corrales began to grow significantly in the 1970s. The completion of the I-25 freeway in 1966 certainly made it an easier commute into Albuquerque.

John Green took this photograph. He had built his home in 1952 near West Ella on 25 empty acres between Old Church Road and the Main Canal. The woman on the buggy is Matilda Palladini who lived on La Entrada and was one of the Green family’s closest neighbors. Today, Milagro Winery sits on the southwest corner of the intersection.

This information was provided by Corrales Historical Society (CHS) Archives Committee. Want to learn more? Visit New CHS members are always welcome.

Photograph courtesy of Jane Green


By Steve Komadina

Fall and Balloons Are in the Air

Love them or hate them, they returned to the skies over Corrales for the 49th year. 

First, as a pilot and Balloon Fiesta board member, I want to thank the many Corraleños who welcomed balloons to their fields and made our visitors from across the country welcome. We have admonished the pilots every morning to respect your airspace and to follow your notifications of desire for balloon or no balloons. 

Horses are prey animals, and are always on the lookout for danger. The shadow of a balloon passing over a pasture, followed by a dragon breath blast from a burner, can be pretty scary. The pilots are aware of that, and try to watch out and avoid sensitive properties. 

Thank you again for your tolerance or celebration of the 10 days of balloon flights. 

Same goes for fireworks shows.  Dogs and other animals react in a variety of ways and, again, let me extend our thanks to allowing the show to go on for the 10 days of fiesta.  Many Corrales pilots participate in running the fiesta, being a part of the show and financing the event with their sponsorships.  Thank you again to all. 

By the time you read this, we will be halfway through this year’s event, and peace will return quickly to the early morning skies and all we will have left will be the memories.

We do live in a magical place and I for one will keep celebrating being a member of this community and your neighbor. 

May we continue to have gentle breezes and soft landings. 


Dear Editor:

Carol Levy’s column, “Golden Years in the Village” in the September 25 issue, makes a compelling case that our dear village begin not simply thinking about, but taking action to expedite the availability of age-friendly housing for our senior population here. She cited, “In less than 30 years, the number of adults age 65 and older will double.” Now is the time to expedite the five-unit housing structure, as she described, at what is the present Sunbelt Nursery property.

Michael Baron

Dear Editor:

After reading a few articles, it’s very apparent the Village leadership likes to pass laws and ordinances like they are a home owners association. Big issue topics that affect the entire village should be put to the voters of the village, not a panel of a few that decides these topics with an iron fist.

Things like commercial canabis farms, the proposed fence ordinance along Corrales Road and casitas are topics the village should decide by vote. The opinion of a few shouldn’t be the authority for deciding what a home owner can do with his property he pays taxes on and is simply trying to enjoy life.

The Village Council and mayor have grown to have far too much power over peoples’ lives.

Matt White


By George Wright
Former District 2 Councillor

We cannot become “The Cannabis Capitol of New Mexico.”

Former Councillor Fred Hashimoto rightly points out in his September 11 Corrales Comment opinion piece the dire consequences of unregulated and unrestricted proliferation of cannabis production.

Most municipalities that have typical residential “R” zoning are not threatened by cannabis production within residential lots. Without appropriate legislative restrictions, our unique zoning of A-1 and A-2 for combined residential and agricultural areas makes us vulnerable.

We as a Village needn’t passively accept a potential future of residential “potification” caused by passage of the N.M. Cannabis Regulation Act. We must do all we can to protect Corrales and Corraleños from encroachment of pot production into our residential neighborhoods. And it is up to the Village Council to protect us through legislation.

Evidently, because of untoward Village Attorney input and influence during legislative debate, and because of specious administrative guidance, the Village Council in August revoked the restrictive provisions of Ordinance 18-002 that protected residents from cannabis-related production. Without those restrictions, anything goes, anywhere within the village, and any area can be “potified.”

All residents are at risk of having a pot production facility adjacent to their living quarters. Former  Councillor Pat Clauser and I co-sponsored and spent many months coordinating Ordinance 18-002 through four associated resolutions and multiple refinements to converge on and pass an acceptable solution to pot restrictions in A-1 and A-2 residential zones.

During our deliberations, we heard from many residents. They overwhelmingly supported these restrictions! Our Village Councillors must protect us by passing legislation to reinstate restrictions for areas zoned A-1 and A-2.

While the State statute implies that cannabis is a natural, agricultural plant, it doesn’t give carte blanche to unleash commercial facilities in residential areas. Per Village code, the Village must “…promote the health, safety, and general welfare of the residents of the Village by controlling the use of land so that it is developed in harmony with existing uses.” And the Cannabis Regulation Act provides that, “The local jurisdiction can limit density of licenses and operating times consistent with neighborhood uses.”

We can and should restrict pot production while at the same time preserving the State statute’s provision for growth of a few cannabis plants for personal use.

It is up to the six members of the Village Council to pass legislation that protects home owners and residents from the encroachment of pot production adjacent to their homes. We need at least four councillors, and preferably all six, to be stalwarts and find the courage and pragmatism to pass legislation that protects all Corraleños. Time is of the essence, and legislators need to act soon. If residents would like to contact councillors in this regard, here is an internet pointer to their email addresses: page/governing-body.

2021 SEPTEMBER 25 ISSUE Letters

Dear Editor:

Many of us former New Yorkers were walloped by 9/11, understandably. My husband and I lived on the Lower East Side off the Bowery back in the early 70s.

But my old college pal had lived in Manhattan far longer when the planes hit. I asked him for his memories on this 20th anniversary.  His recollection follows.

“I got a phone call from friends in Ohio while I was getting ready for work.  “What the hell is happening in New York?  Turn on your TV.” My windows face west and uptown from my place in the West Village, so I couldn’t see anything from my apartment.  But when I left for work, from the sidewalk I could see the first building on fire. By the time I got to the Japanese gallery on the Upper East Side, the second tower had been hit. 

Then I got a call from my sister. Her friend, Barbara, from Seattle and Barbara’s two traveling companions were sightseeing in New York. They had just arrived from Washington, DC. As it happened, they were on the subway heading to the Statue of Liberty with plans to visit the World Trade Center in the afternoon.  When they got to Chambers Street, the announcement came to leave the train and exit the station.  They came above ground to see the burning buildings and the crowds heading quickly away. Unfortunately there was no public transportation, and their hotel was at Broadway and 74th Street.  So they ended up walking all the way uptown.

We closed the gallery, and I walked across Central Park to their hotel. We sat glued to the TV the entire day until partial subway service resumed, and I could get back home. Barbara and friends couldn’t get flights out of New York, so they took Amtrak to Albany and stayed with my sister until they could get flights from the Albany airport.

My friend Sarah’s brother was an emergency medical technician stationed across from the Trade Center that morning, and was the first to call in for help.  He set up triage centers in nearby stores and spent the next several days picking up body parts.  Needless to say, he retired with PTSD shortly afterwards. I had the opportunity to visit with him two days after September 11, and that was eye-opening. 

My friend, Kristen, was scouting for photo shoots downtown on September 11, got a shot of the second plane hitting the building, and sold the photo to Newsweek which put it on the cover.

So those were my six-degrees of 9/11.  Unfortunately my roof was closed for restoration, or that would have been a bird’s eye view. 

The next few weeks were somber. It was upsetting to see all the posters of missing people and the sidewalk shrines. People coming into town wanted to see the site, while New Yorkers avoided the area.  I could understand why tourists wanted to see in person what they had watched on TV. New Yorkers, however, experienced the day first hand, and it was too painful to relive.”     

Meredith Hughes


The Lost Leonardo Directed by Andreas Koefoed.Plugs: None. Nearest: Cottonwood, the Guild (9/26-9/30), or streaming.

The Lost Leonardo is a documentary film about the Salvator Mundi, the most expensive painting ever sold, claimed to be a long-lost masterpiece by none other than Leonardo da Vinci.

First appearing —suspiciously— a at New Orleans auction house, its two buyers paid a few thousand dollars for it, and apparently became convinced it was not what it first appeared to be (one of countless paintings done in Leonardo’s style) but was in fact painted by Leonardo himself. As it changes hands and experts (or “experts”) take sides about the painting’s authenticity, the price climbs and the stakes rise. Soon the world’s most famous art museums are involved, along with shady dealers and sketchy billionaires.

The Lost Leonardo is about art, but it’s even moreso a human story of psychology, deception, greed, commerce, and —strangely— international finance and money laundering. Even those who think that Thomas Kinkade is the pinnacle of painting talent will appreciate this film.

The film deftly moves around the globe, following experts and money, with stops in Berlin, New York, London, Geneva, and, well, let’s just say points further east. Though The Lost Leonardo is technically a documentary, it’s really more of a real-life mystery and thriller, due in large part to the film’s clever structure. It’s got a cast of characters ranging from nerdy to flamboyant, erudite to arrogant. I won’t give away too much of the story here, as the twists this film takes are best unpredicted.

The Lost Leonardo is partly about how and why people believe. As one expert notes, “Expectations are dangerous because you see what you want to see.” In this case people —including art historians, museum curators, and art dealers— wanted to see a long-lost painting by Leonardo, along with the accompanying publicity and quickly escalating price tag.  In the case of Salvator Mundi, there’s clear financial and psychological incentive for many people along the way to endorse it as real. Many things —and art in particular— are worth what people believe they’re worth, and have little inherent value. You may assume that your mint-condition Cabbage Patch (or chupacabra toy) collection is worth a fortune, but you may be in for a shock when you try to sell it.

At its heart, the film raises interesting questions of authenticity and legitimacy. What does it mean to be a “real” Leonardo da Vinci anyway? There’s art (strongly) believed to be painted by him, of course, such as the Mona Lisa. But there’s also art done by his students under his direct supervision. Then there’s art produced in his style, intended not as fraud but instead as tribute and for practice. In many cases of old works, including Salvator Mundi, the painting has been professionally restored, adding a complicating (but unavoidable) element of artistic authorship.  

For a more low-brow example, take your favorite band from the 1970s or 1980s that’s still touring today. It’s likely had multiple line up changes, and may not even have a single remaining original member of the band. Is it still really Lynyrd Skynyrd or Chicago or the Beach Boys? Yes? No? Maybe? Does it really matter? (Rock fans should check out the documentaries Quiet Riot: Well Now You’re Here, There’s No Way Back and the Don’t Stop Believin’: Everyman’s Journey for a look at the perils of replacing members.)

 The same can be said for art: if it brings you pleasure, does it really matter if it’s an original or not? What if you paid a fortune for it? Does it matter if a shiny stone is a $10 cubic zirconia or a $100,000 diamond, if they look identical to the naked eye?

To extend the analogy even further, we can look at the placebo effect in medicine. There are some conditions under which placebos can be as effective as an active ingredient. But that’s not the whole story, because it’s a very limited list. For some minor and temporary ailments, such as minor pain relief and insomnia, a placebo can be effective. But the placebo effect can’t set a broken leg or reduce blood sugar levels. In other words, it’s true that we view and understand much of the world through our own prisms and filters, but it’s an overstatement to suggest that our perceptions create or change reality, or that the gap between perception and reality is irrelevant. Believing you took an Advil instead of a TicTac may make your headache fade, but believing you’re cured of cancer won’t reduce a tumor; believing you’re rich won’t add zeros to your account balance; and believing you’re looking at an original Leonardo doesn’t mean you are.

 There’s also the argument that even if it’s fake, the controversy surrounding it elevates its importance, sort of like Kim Kardashian being famous for being famous. Even if at some point somehow conclusively proven to not be painted by Leonardo, it’s still the painting that was once thought to be the titular Lost Leonardo, and that by itself makes it an object of interest, for the same reason that the alleged diaries of Adolf Hitler or Howard Hughes are still of historical interest despite being definitively debunked.

 As the film goes on the painting itself becomes secondary to an investigation into the opaque world of art auctions, where much is smoke and mirrors. Buyers of art have the right to remain anonymous, and often choose to do so. But at the price that Salvator Mundi fetched ($450 million), the list of potential buyers becomes pretty short. When the stakes are that high, international police agencies become interested because of potential tax implications (for more check out the documentary The Panama Papers, currently on Netflix), and because rare art is sometimes used as collateral to secure loans at international banks (who knew?). With a process as intentionally murky as art auctions, the hallowed halls of Sotheby’s is rife with shady shenanigans. Who, then, is the authority? Can we even know with any certainty what the truth is? Does it even really matter to anyone but the buyer and art historians who painted Salvator Mundi?

The Lost Leonardo is one of several recent documentaries dealing with high-end fakery and forgery, along the lines of Art and Craft, Sour Grapes and Made You Look. Like the documentary Misha and the Wolves, which I recently reviewed, the film gets into the on-the-ground detective work, not only investigating the provenance of the painting but also how it changed hands.

Even the current (apparent) owner has not confirmed its purchase, and as of this writing the location of the world’s most expensive disputed painting is not publicly known. The Lost Leonardo is top-notch documentary filmmaking that offers a revealing glimpse into both the rarified art world and the human condition.  

Benjamin Radford

2021 SEPTEMBER 25 ISSUE GOLDEN YEARS Village in the Village VIV

By Carol Levy

Whether our golden years are far down the road, around the corner, or in the here and now, if we were asked, “Where will you spend your golden years?” Most of us would answer, “Corrales, of course!” After all, we love Corrales, the community where we have grown roots, raised children, volunteered, made friends and chosen to live.

For all of us who hope to age in Corrales, there are three important questions to consider: 

Will it be possible to stay in our beloved community as we age?

Do we want Corrales to be an age-friendly community?

Are we willing to support housing that allows us, as well as our friends, neighbors, and relatives to continue to live in this community as we age?

When communities address the needs of the young and old, everyone in between benefits.

Livable places for people of all ages are commonly referred to as age-friendly communities. These inclusive communities address the varying needs and abilities of those on both ends of life’s continuum. Age-friendly environments enable people to be active, connected and contribute to their community.

They promote relationships and a sense of belonging among generations and allow older residents to remain socially involved. Becoming age-friendly makes a community a viable choice for all generations —a great place to live, have a family and grow older.

Rural villages like Corrales have special challenges to becoming age-friendly. While we value our rural character, well-spaced homes and large lots, navigating distances to services and neighbors can be daunting. As we age, some of us will face life events that make it difficult if not impossible to continue to maintain our homes and their surrounding property. We find ourselves wondering how we will manage when our partner gets sick or dies, it becomes too difficult to keep up with our home and yard maintenance, or we just can’t get around like we used to.

These are legitimate concerns for many Corrales residents given that our median age is almost 55, and 30 percent of our population is over 65. When we find it too difficult to stay in our current homes, where can we live?  What will we tell our parents, friends, or neighbors to do?  Like 86 percent of adults 50 and older, most of Corraleños want to remain in their community. We do not want to move in with family members, relocate, or move into assisted living when we are capable of living independently.  We want to stay in Corrales, maintain our social connections here, and continue contributing to our community.

Yet, we find we have few housing options that make that possible.

Age-friendly housing is a necessity for keeping seniors in Corrales. Village in the Village (ViV) supports efforts to help seniors stay in Corrales as they age. Building an age-inclusive community is an important component of this goal. Therefore, we encourage all residents and our elected Corrales officials to support the senior-friendly housing initiative proposed for Corrales’ commercial district. This plan is for five small, single-story handicapped accessible duplexes located a walkable distance to many amenities including restaurants, shops, the bosque, health care, a pharmacy and a church.

The proposed project will enhance our scenic byway by replacing Sunbelt’s truck and machinery parking lot with attractively landscaped southwest-style homes maintained by the landlord. The project will connect to the Village wastewater system and have state of the art methods for sewage processing and gray water recycling of 50 percent of total water usage. Since the project is in the business district, it does not impinge on the one house per acre ordinance for our residential area. Density and traffic will be less than if the property was developed as a retail business.

In less than 30 years, the number of adults age 65 and older will double. Right now, Corrales has a unique opportunity to take a small step toward the greater challenge of making our quaint Village more inclusive. Please let your Village Councilor know you support this project.

Carol Levy is a member of the board of directors of Village in the Village as well as an active volunteer and supporter. For more information about ViV,  visit or call 274-6206.

What’s On 9-11-21

By Meredith Hughes

For many Americans, September 11 is not just an ordinary day in the month, alas. In 2001, nineteen men hijacked planes and flew them into the Twin Towers at the World Trade Center in Manhattan, plus the Pentagon, and were foiled by heroic passengers from blasting into the White House or the Capitol. That plane landed in a field. Fifteen of the hijackers were Saudi Arabians, two were from the United Arab Emirates, one from Egypt and one from Lebanon. None from Iraq or Afghanistan. Much to explore from the 9/11 Museum in New York. See http://www.911memorial. org/learn/resources/digital-exhibitions

FYI. Corrales author Patricia Walkow produced a book titled New Mexico Remembers 9/11, which came out October 13, 2020 via Artemesia Publishing.

Consider getting out to the State Fair this month to eat pie and forget about floods/fires/wars/Covid et al…..

Visit the websites of your favorite museums, galleries or organizations to check opening times and new regulations. Published the first issue of the month, What’s On? invites suggestions one week before the publication date.

  • Xeric Garden Club, September 11, 10 a.m. Taking Care of the Winter Landscape, with state horticulturalist, Marisa Thompson. A free event. ABQ Garden Center, Piñon Room, 10120 Lomas Boulevard NE. 
  • The NM State Fair runs through September 29, 10 a.m. to 9 p.m., Sunday to Thursday; 10 a.m. to 10 p.m., Friday and Saturday. Seniors and kids 5-12 pay $8; adults are $12. New this year: “MindWorks! is a 6,000 square foot exhilarating attraction featuring a collection of giant classic games, construction zone and bubble arena, puzzles and brain teasers, as well as toddler area that will tease and challenge minds of all ages. Many of the displays in this fun and interactive exhibit are STEM/STEM-based and involve critical thinking, problem solving and teamwork.” More on special attractions  can be found at https://statefair.exponm. com/p/things-to-do/spectaculars.    Buy tickets  at p/buy-tickets
  • Constitution Day 2021: New Mexico’s Journey to Statehood, September 17, a free Zoom presentation by the NM Humanities Council, 12:30 p.m. The discussion will be led by Rick Hendricks, state historian emeritus, and will be followed by a Q & A session. Register at
  • Art Exhibit. NM Landscapes, is the current exhibit at Open Space. Artist Gwen Entz Peterson works predominantly with serigraphy (also known as silkscreen).  Since 1973, Peterson has worked on images great and small. The body of her work is predominantly contemporary landscape, but sometimes also is totally abstract. The exhibit runs through September 18. Open Space Visitor Center, 6500 Coors.
  • Placitas Garden Tour, its fifth annual, is on September 19, from 9 a.m. to 4 p.m. Seven gardens, plus three painters and a bronze sculptor, a glass mosaic artist, a welding sculptor, and a weaver all creating their works in the 2021 gardens.  Buy your tickets online here or via the merchants mentioned:
  • A Shakespeare play or two took a bow in Santa Fe at the Botanic Garden last month and other plays are on stage again in Albuquerque. Vortex Theatre opens its seventh year of outdoor summer Shakespeare with free performances of Hamlet and Twelfth Night O Lo Que Quieras. This year 15 performances will take place at the NM Veterans’ Memorial Park, 1100 Louisiana Blvd SE, through September 19. Twelfth Night will be presented at the Open Space Visitors Center September 10. 6500 Coors.
  • Another World: The Transcendental Painting Group, on exhibit through September 26 at the Albuquerque Museum. Take a meditative stroll through this exhibition —the “group” came together in Taos in 1938, “to discuss and perpetuate an alternative to the social realism and homespun Americana that had been promoted by Regionalism and the Ash Can school.” While the artists involved kept working, Agnes Pelton having moved to California, the group itself disbanded after the Second World War. 2000 Mountain.

Did You Know?

El Palacio, the magazine of the Museum of New Mexico, is the oldest museum magazine in the U.S. Its current issue, Fall 2021, features the building of the Hispanic Cultural Center in Albuquerque, and all issues from 2014 to today are available online here:

In Corrales

  • Corrales Art and Studio Tour, September 11-12, 10 a.m. to 5 p.m. See Scroll down to view maps, artist locations.
  • Corrales Harvest Festival, September 25 and 26. All day, both days, throughout the Village. Hootenanny at night on Saturday, featuring Bad Habit and the Enablers, from 7 to 10 p.m. At Old Church, both days 10 a.m. to 4 p.m., the Heart of Corrales Fiesta, featuring pie, quilt raffle, photo ops, and kiddie stuff. Admission? If you’re 12 and under, free! Otherwise, $10. Get tickets here:
  • Corrales Arts Center announces “Got Art, Corrales.” September 11, from 5 -7 p.m.  “Each ticket holder is guaranteed the opportunity to select a piece of art to take home at the end of the event. The order in which you get to select a piece of art will be left to chance, and will not be known until you arrive that evening.” Register at
  • Village Council meetings, September 14 and 28, 6:30 p.m., still posted as via Zoom.
  • Planning and Zoning meeting, September 15, 6:30 p.m., apparently in person.
  • Corrales Library Fall Book Sale October 2, 3, from 9 a.m. to 4 p.m. Also, Book Club, Author series. Please contact Sandra Baldonado for Zoom events details.
  • Music in Corrales kicks off its 35th season with the Bobby Shew Jazz Sextet, September 18, at 7 p.m. in La Entrada Park, near the Corrales Community Library. Shew is a “big band” veteran, now a Corrales local focussed on his sextet. To buy tickets see To view the season’s offerings,
  • Corrales Growers’ Market. Weekly Sunday sessions in September, 9 to noon. September 12,19, 26. Wednesdays, also 9 to noon. September 15, 22, 29. Still no dogs allowed… no music, either.
  • Village in the Village. Coffee hour, Fridays, 9 to 11 a.m. in person at Corrales Bistro. Reservations are required. Call 274-6206 or email corrales.viv@ Book Club, September 20 via Zoom, 3-4 p.m.“City of Thieves,” by David Benioff, set in Leningrad during WW2.

Traveler’s Notebook 9-11-21

Nowhere, 2020-2021

I have not traveled internationally since 2019 and it has been hard on me. I have loved to travel since I began in 1962, heading on my own to Ecuador and Peru as a 20-year-old. I have returned multiple times to both countries since. I’ve traveled around the world 360 degrees east-west and nearly half-way around the world north-south. Mostly I’ve visited so-called Third World countries, primarily in Latin America, Africa and Asia.  I return again and again to countries that fascinate me… or more precisely, to countries that I struggle to understand.

I find it exhilarating, energizing to plop myself down in a culture, environment or setting in which I have no idea what’s happening around me. Sometimes I think I understand my own culture too well —even when society seems to go off the rails— and therefore I crave the incomprehension that people in foreign lands offer.

Sometimes it’s the words that are incomprehensible. Fondly now, I recall landing in Guayaquil, Ecuador, on my first foreign trip. Frugal by necessity, I had asked the cab driver at the airport to take me to a cheap hotel —”algo muy barato, un pensión, tal vez”— so he delivered the turista americano to a boarding house a block away from the bustling but dingy port docks.

The pensión owners or managers gracously accommodated the unexpected boarder. They sat me down with my corralled luggage at the kitchen table and said something from which I could extract absolutely no meaning. The sound coming repeatedly from the owners and other boarders was “yacomiste.” I thought I detected an inflection at the end of the word that implied a question, but without knowing the question, how could I answer except to say again and again “No comprendo.” This went on for what seemed a long time. I searched my brain but could find nothing like “yacomiste.” Finally my hosts and fellow boarders gave up in frustration and led me to a room where I went to bed hungry.

The next day I decyphered what had been spoken. It was probably the most common question asked of a just-arriving passenger after a long flight: “Have you eaten?” “Ya comiste?” The verb “comer,” which I certainly knew, had been used in the familiar form (“comiste”) which we high school Spanish students rarely, if ever, used in class, and definitely was not used when speaking to a total stranger.

So there I was ignorant and hungry on my first  night in a foreign country. But the people were so friendly! The next morning, one of the boarders who had taken an interest in me approached over breakfast to ask another question I found perplexing even though I understood each word.  The young man a little older than I asked in Spanish what I easily translated as “Do you like great emotions?”

I hesitantly replied “I guess so, but what do you mean?” He wouldn’t explain, saying it would be a pleasant surprise. He said he would pick me up in his truck around mid-afternoon. At the appointed time, more or less, off we went in his well-maintained pick-up truck. I grew a little uneasy when we passed the outskirts of the city and kept heading farther and farther into the boonies. What “great emotions” could I possibly expect in that desolate site? No homes, vehicles or other people could be seen. We were miles from the paved road from which we had turned onto a gravel road. He stopped in the middle of the extremely wash-boarded road, and turned to me with a big grin. “Estas listo? Are you ready?” he asked.

I gave some indication I was ready… but for what?

He floored the gas pedal, and we shot off top-speed down the terribly rutted, bumpy road. I went flying all over the truck cabin. About 50 yards later, we stopped. He turned to me again and grinned.  And I understood. “Great emotions” meant “thrills.” Admittedly, the afternoon joy ride was more “emocionante” than touring a Guayaquil museum which another tourist might have experienced. From those days to these, I’m always ready for a new adventure in a foreign land. But I  have  little interest in European destinations; I travel there to research subjects of interest, such as the background of the man for whom both continents of the Western Hemisphere were named, Amerigo Vespucci.

Planning a trip is deeply enjoyable, but the plan nearly always must include big unknowns. I enjoy arriving in a city where I have no hotel reservation (unless my arrival is late at night) and no defined itinerary. On that first trip to Ecuador and Peru in 1962, I  traveled by train to Puno, on the shore of Lake Titicaca. It was near midnight when we rolled in. I had no hotel reservation, nor any idea what hotels, if any, were in Puno. At the end of that long ride, I wanted to find a place to lie down and recover. Among the passengers was a group of soldiers  headed to their base in Puno.

I asked them to recommend a hotel, but they had no suggestion. Realizing my dilemma and discussing the option among themselves, one of them told me it would be okay to follow them to the cuartel where I could spend the night. Gratefully, I accepted the offer and was led to a bed —in the jail. I was given a sheet, but no blanket. It was winter and Puno is very high, 12,550 feet.  One of the soldiers had ordered a small boy, an orphan whose job it was to look after incarcerated drunks, to see to my needs as well. To keep me from freezing in the cold, dark cell, the boy piled several criss-crossed layers of mattresses on top of me.

I survived, and was grateful. I was 20.

—Jeff Radford

Letters 9-11-21

Dear Editor:

I think my liberal Democrat card is about to be revoked. I’ve watched with concern the rescue and recovery effort in Louisiana. And I've been in awe of the volunteers who've shown up to make a horrible situation even slightly better. I give you The Cajun Navy as an example.

Video after video and still shot after still shot shows them carrying young folks, old folks, disabled folks and pets to their boats and ferrying them off to safer places. All this with zero expectation of remuneration. All this because someone needs help, they’ve got the gear to help and it’s the right thing to do. Most, if not all, of the folks needing help were black and most, if not all, of the Cajun Navy were white.-

Now I guaran-damn-tee you most, if not all, of the Navy have a MAGA hat at home. And when they told their MAGA hat-wearing boss where they were going, they said, “See you when you get back. You need any gas money?” The point to all this is. These MAGA hat-wearing, Trump-loving, mouth-breathing crackers have put Black Lives Matter into action. Action well beyond carrying a sign in a demonstration (as long it's a pretty day and there is a Starbucks en route).

Imagine that. A MAGA hatter wading through snake and alligator infested water to help an old Black couple get to a shelter where they can get the help they desperately need!

So I proffer the following.

Stop with this relentless stigmatization that sophomorically jumps to “If you’re X that automatically means you’re Y.” I know I’m plenty guilty of that, and I resolve to stop it. It’s  time to tell the “leaders” of both persuasions to STFU. It’s time to turn off the judgement switch. It’s time to embrace our common humanity.

In short, we are not our parts. We are the sum of our parts. That sum equals millions upon millions who joyfully give of themselves when called on. Yes, there is a minority of scum-bags (Kevin McCarthy, Orange Don, Jim Jordan, Al Sharpton… the list goes on) who profit from the “parts,” but don’t be discouraged. The Cajun Navy stands ready to sail again.

Ray Radford,

Anchorage, Kentucky

Dear Editor:

I have been pro-choice since I first knew about abortion, and when I lived in Detroit from 1951-53, my husband and I spent much time with a physician who very often told us about his women patients who had tried unsuccessfully to abort themselves. Those gruesome stories made me even more convinced that I was pro-choice. And so, I was very happy when Roe v. Wade became the law of the land. Yet, I know something was wrong about that decision —it was based on privacy and I knew that privacy’s not in the U.S. Constitution.

Griswold v. Connecticut, an earlier Supreme Court ruling that struck down state bans on contraception, was also based on privacy. In that case, Justice Douglas said in his majority opinion, “We deal with a right of privacy older than the Bill of Rights.” However, the right of privacy is not in the Bill of Rights either. Nor is it even in The Declaration of Independence (which I realize is not law).

That the privacy right established in the Griswold decision seemed a terribly weak foundation is what Sarah Weddington (the attorney for so-called “Jane Roe,” a Texas woman who had sought an abortion and who was asking the court to legalize it in Roe v. Wade) said when asked where in the Constitution she placed her argument. However, she accepted the Supreme Court’s January 22, 1973 decision to uphold Roe v. Wade based on the basis that “the right of privacy... is broad enough to encompass a woman’s decision whether or not to terminate her pregnancy” —even though the right of privacy was, and still is, not in the U.S. Constitution.

The marvelous writer Jill Lepore tells us in her great book, These Truths, that the ACLU, Planned Parenthood and other groups made arguments for abortion rights based on equality that the Supreme Court ignored in Roe v.Wade, and that Ruth Ginsburg “found the court’s opinion in Roe wanting for a number of reasons, but among them was its failure to pay any attention at all to discrimination against women, or to a woman’s “ability to stand in relation to man, society, and the state as an independent, self-sustaining, equal citizen.’”

Being equal is at least in the Declaration of Independence and equity is in the U.S. Constitution. And equity probably should therefore be the basis on which the Supreme Court decides in favor of abortion.

But what bothers and disgusts me most of all is that the Supreme Court says that unborn fetuses with a heart beat cannot be aborted, while it remains silent about guns being available to kill so many children.

Reverend Judy Deutsch

Commentary 9-11-21

By Fred Hashimoto

Corrales, a Cannabis Capital?

 Four years ago, Verdes Foundation, a regional cannabis business, proposed growing medical cannabis on four acres in a Corrales A-1 zone.  The neighborhood was upset, citing issues of decreased quality of life and decreased property values.  Over 300 signatures were obtained on a petition opposing the proposal and the neighbors hired an attorney to help with their efforts.  Verdes decided to back out, in part because of stiff neighborhood opposition and also, they did not have Village Council support. In 2018, the council passed Ordinance 18-002 explicitly banning cannabis growing (along with manufacture and distribution) in A-1 and A-2 zones.

Since then, commercial cannabis growing has generally become more intensive and, in some ways, more invasive. Thousands of plants can be grown in an intensive greenhouse, converted warehouse or other totally enclosed structure with 24-hour high-intensity grow lights in tightly controlled environments and accelerated harvesting.  These commercial cannabis structures are water and electricity ultra-consumers.

Growing cannabis emits a pungent, skunky odor, which neighbors do not like. Ask the residents in the Corrales del Norte subdivision which abuts medical cannabis greenhouses in the north end of the village. Some neighbors smell the odor from 1,000 feet away.  Googling “cannabis growing odor” yields over 10 million results. Because of the monetary value of cannabis products, many intensive growing structures get burglarized.  Security walls and fences and barbed wire, barred windows and security lights are common.  Also, the growing structures themselves are usually not aesthetically pleasing.

Although one might like cannabis products (and/or beer), one would not like to live next to an intensive cannabis growing structure (or a brewery). Choosing to buy a house next to such a structure is one thing, but living in a home for 25 years and suddenly having one show up next door is quite another. For several years, all was well enough with Corrales and its stance on cannabis until early this year when the State Legislature passed its cannabis act (House Bill 2).  Yes, it legalized recreational cannabis consumption and allowed the personal and household growing of six and 12 plants respectively.

However, perhaps inadvertently, it might have superseded Corrales’s ordinance banning commercial cannabis growing on A-1 and A-2 because it considered cannabis as a usual crop and usual crops can be grown in agriculture zones (A-1, A-2 and Neighborhood Commercial) in the village.  Needless to say, usual crops are not grown intensively in enclosed facilities with 24-7 grow lights and greenhouses with massive wet-walls (wall-sized swamp coolers) or have pages of State and local regulations and specific licensing.

Not only might cannabis be grown commercially in an agriculture zone in Corrales, but a grower won’t need several acres to do it. Your neighbor can grow it commercially in the backyard of his one-acre lot.  For sure, your current friendly neighbors wouldn’t think of doing that, but when they move, the new neighbors very well might feel differently. They might think, “Hey, I spent a lot of money getting some extra land in Corrales so I might as well build a few extra structures in the back and grow cannabis to help defray the cost.” 

If they do, you currently have little or no recourse.  In Colorado, commercial cannabis growing structures are generally isolated to industrial zones or to land with plenty of acreage, but alas, this does not seem to be the case in Corrales.

At this time, very few residents have any inkling or idea of what has quickly befallen us. Do you think potential commercial growers are interested? In the first few hours after the State began accepting growing applications, almost 400 companies lined up. A legislator and a State official from the State Cannabis Control Division have said that the State will not do neighborhood regulating, which will be up to the local governments.

Last month, the Village Council passed an ordinance which seems to bend over backwards being permissive for the cannabis industry, allowing intensive commercial growing in A-1, A-2, and Neighborhood-Commercial zones, miniscule setbacks of 25 feet and only 200 feet between retail stores in the commercial district.  Nuisance laws have been softened by using the hedge modifier “reasonably” so if a grower is “reasonably” conducting business and causing a noxious odor (or noise or lighting), that can’t be considered a nuisance.

Those council proceedings were orchestrated by attorneys. It was a hard sell, doom and gloom if you don’t pass it tonight, back against the wall and deadline. The pressure was palpable.  Considerations were deflected by “this should be researched later.”  Attorneys said that there had been three revisions already, but each of these revisions were only for non-substantive, attorney tweaking.  Suggestions by the councilors —such as increased setbacks in the residential neighborhoods— were not incorporated. Usually, three council meetings are used to pass an ordinance; this ordinance was fast-tracked in only two meetings.

Yes, the ordinance was passed (not unanimously) by Village Council.  But don’t blame them.  They were pressured big time and given little time to get facts and input.  I (a former councillor) perhaps would have voted for it too.  When you sit at the table, and attorneys say that you have to pass it now, that is significant pressure.

Some councillors probably would like to amend this hurriedly-passed ordinance; they have ideas on how to give residential neighborhoods some protections from intensive growing structures next door.  At the council meeting, the attorneys said that the ordinance was a dynamic document and it can be amended when appropriate; we’ll see.  Hopefully, the governing body will keep it moving and not necessarily delay critical amendments.  Other farming states of Colorado, Oregon and Washington have measures protecting residential neighborhoods from intensive and invasive cannabis structures.  Why can’t we?

Yes, the cannabis industry can bring some revenue into the Village coffers, but at what price?  Residential neighborhoods should not be paying a price with a decrease in quality of life and decrease in property values.

Perhaps, the Village is at a tipping point. How Corrales deals with cannabis and, specifically, this ordinance might define it for the future.  It can put a different slant on our Harvest Festival.  Harvesting intensively grown cannabis occurs several times a year, not necessarily only in the fall as it does for usual crops. Hopefully, Corrales will make the right decisions, and not become known as a Cannabis Capital.

CHS Corrales Historical Society Column 9-11-21

By Mary Davis

Gilbert Lopez

Another longtime resident is gone and will be greatly missed. Gilbert Lopez, whose death was reported in the August 21 Corrales Comment, was a font of information about Corrales, an electrical engineer, and a farmer almost to the end. Luckily for us he was also an artist who painted two large pictures of Corrales before World War II when the freeway, the bridges that span the Rio Grande today, and the paving of Corrales Road were far in the future. The painting was titled: “Threshing Wheat with a Threshing Machine, Summer 1935.” His other picture was of a water wheel that moved water from the old Corrales acequia to the family property. Both are safe at his home.

Happily he also left notes about where the threshing took place and who was doing the work. The location was his grandfather’s property located east of Corrales Road between Mariquita and Sanchez Roads; it’s now the Corrales Compound. He added that the property extended through the bosque to the river. The wheat sacker was Don Angelo Salce. The persons on the stack were Angelo Salce’s daughters Dulcelina, Ida and Lena. The person on the thresher cutting the wheat bundles loose was Gilbert’s uncle, Maxmillianlo (Max) Lopez. The person on the hay rake driving the team of mules —the bay was named Jenny and the black was Jack— was Gilbert himself.

He noted that “Three other stacks had already been threshed belonging to Don Juan Cristobal Lopez (my grandpa), Don José Griego and Don Victor Sandoval.” The man sitting on the tractor was the owner of the thresher. Gilbert didn’t know his name, only that “he was just following the wheat harvest.” His notes concluded with the information that “the wheat was mostly taken to the 4 Star Flour Mill, on South Second Street, next to the Santa Fe Railroad tracks, just south of Trumbull Avenue, about where now the Middle Rio Grande Conservancy District service yard is located in Albuquerque.”

What a treasure! He proudly shared his genealogy: his parents were Perfecto Lopez and Anita Gonzales. Perfecto’s parents were Juan Cristobal Lopez and Anastacia Montoya, and Anita’s parents were Daniel Gonzales, brother of Herman Gonzales (Hector Gonzales’s father) and Rafaelita Sandoval from Cebolleta, north of Laguna Pueblo. Gilbert told us that his father, Perfecto, ran cattle and sheep near Cuba, and that his dad would often take him when he traveled to trade with the Navajos. He also remembered when the Navajos came to Corrales to trade; they would camp in their wagons for a week under the big cottonwood that stood by Gilbert’s old house (now demolished) near the Corrales Acequia not far north of the Old Church.

These memories of Gilbert Lopez were provided by Corrales Historical Society (CHS) Archives Committee. All of the “I didn’t know that!” articles previously published in this newspaper may be accessed at Want to learn more? Explore the CHS website! New CHS members are always welcome.

Caballos Column 9-11-21

By Steve Komadina

The Times They Are A Changing!

It is amazing how every week brings new surprises as to the style of pandemic life! Intellectual honesty seems to have been thrown to the winds. Rules are selectively applied, and the word “science” has a whole new definition. My horses have been off the farm for some time on an extended working vacation. Their letters home are heart-warming as they work the wilderness,  taking riders of variety of skill, on Old West experiences. They are so happy to be working. They would not even consider being on unemployment.

I laugh as I hear complaints about proof of vaccination. I have said for years that it was discriminatory for horse events to require equine proof of vaccination but not those of owners and riders. I feared the humans far more than the horses! I have loved the social distancing of pandemic since I have a very large personal bubble and it has been great keeping people away. Now, as a physician actively seeing patients daily, what about this pandemic? It is real. It is a bad virus worse that the common flu. From that point on there is nothing but disagreement.

We had a two-day staff retreat last month at the Tamaya. It was inside and we had social distancing in the conference room. Masks were mandatory except while eating and drinking. The pandemic had not cranked up yet and there were no complaints, and we did not become a hot spot for COVID-19. Then this month we have mandatory vaccination proof for the State Fair and concert venues, and threats of another lockdown is whispered in hushed voices. Daily positive test results lead the nightly news reports, and the surge is on!

Then just a week ago, one of the highest profile elected official’s wedding-of-the-year is held at the Tamaya indoors with no masks and no social distancing. Is it that difficult to follow the governor’s and CDC’s guidelines? Can’t we just all follow the rules? How do I explain this to my horses, children, grandchildren and great grandchildren? To quote Dr. Scrase: “We are looking into it.”

Well, for me and mine, we will follow the rules. It is a lot easier to sleep at night. My horses continue to sleep well since they all took their ivermectin, and I am happy to report no positive test results in the herd. Please social distance when you see me on the trail. By the way, I do not buy your your honest attempt to social distance from your canine friend by having your dog off a leash in the bosque.


By Barry Abel

Why ViV? Many of us have chosen Corrales as the community in which we wish to live now that we have retired and can settle wherever we choose. That means we come here without family or the benefits of our long-time support groups. Corrales is exactly where we want to be. We build a network here of friends; we find so much to do. But later in life, we will need something more.

To many of us, Village in the Village, Corrales (ViV) helps in both areas: we form many friendships with other Corraleños in and through ViV and, in times of need, we find the assistance we require through ViV which provides volunteer friend- and neighbor-like services to members who need them. Recent events involving friends and extended family have underscored this for me, especially the need for support and help when the time arises.

Two couples were involved: in one, the husband was stricken by a profoundly serious affliction and hospitalized, very ill, sedated. His recovery will be long and will require significant speech and physical rehabilitation. In the other couple, the husband’s cancer, which he had had for three years hardly showing any evidence thereof, finally reached his brain. He died about a week later. In both cases, the wife isn’t able to continue to live independently without a partner to help carry the burden.

In one situation, there really wasn't any backup or helping community group where they lived. The full burden fell onto family members – a grown child who lived a four or five hour drive away in the neighboring state and a sister, now 80, at the far end of the country. In the other situation, the couple belonged to ViV. Despite the unanticipated death of the husband, ViV stepped in to help. We visited our friend in her own home, took her to lunch, helped her process what had happened and focus on her future. Those services from ViV gave precious time for the couple’s grown children to put affairs in order, proceed with cleaning out the house, make arrangements for their mother’s future, and so on.

It just underscored the point about why we choose to be members of ViV. Another ViV member and long-time Corrales resident who, at 95, has lots of friends in the community and especially in ViV, comments there is simply no way she would still be alive and functioning without the support she gets and has received from ViV and its volunteers, much less still be living in her own house at this age. For some, active church groups can fill that role. For some, family members who live in the same area can do it. For many of us, ViV fills that role. And the fact is, making sure one has that network of support becomes more and more important the older we get.

We believe it is essential, especially if you are single and “not so young anymore,” to make some sort of arrangement for yourself. Do it for what ViV offers in the present, or simply for just in case. For many of us, Village in the Village provides the answers. ViV offers social opportunities —weekly gatherings in person and via Zoom like Friday morning coffee or breakfast and a monthly Happy Hour, learning opportunities, active activities like bocce ball. And ViV significantly expands the number of our friends in our chosen community - Corrales.

Barry Abel is an active member and volunteer for Village in the Village. For more information about the organization go to


Written and directed by Sam Hobkinson. Plugs: None. Newly available streaming on Netflix. The new documentary film Misha and the Wolves examines the story of a Holliston, Massachusetts, woman named Misha Defonseca who stunned her congregation on Holocaust Remembrance Day by breaking her silence about her past: 

She was not only a Holocaust survivor, but as a young girl had fled her home in Belgium and walked through forests to Germany in search of her parents, last seen in concentration camps. That was remarkable and brave enough, but she hadn’t done it alone; she was joined (and adopted) by a pack of wild wolves who helped her in her journey.

Misha’s incredible life story caught the attention of a friend who ran a small publishing house, and was soon turned into a best-selling 1997 book titled Misha: A Mémoire of the Holocaust Years. It caught the influential (if not particularly discerning) eye of Oprah Winfrey, and would soon be published in several languages and optioned for films. Misha became a celebrity, touring the world telling her inspiring story of courage and overcoming adversity.

Eventually, however, some suspected that her story was in fact literally incredible —not credible. Misha and the Wolves expertly tracks the rise and fall of Misha’s story. Even though I’d read basic outlines of the events, the film contains some surprising plot twists that I won’t reveal, as there are enough spoilers already. It’s not just the story of a strange story of a (suspected) hoax, but perhaps more importantly, it’s the story of determined people who joined forces to reveal the truth.

The public is of course widely —and rightly— counseled to “believe the victim” in many circumstances. That is the appropriate default position, and the vast majority of the time the victim is as exactly as claimed. But in some cases it’s not clear who the victim is, and the film explores the continual trepidation of those who questioned Misha’s claims: what if they were wrong? No one wanted to be in a position of casting doubt on the account of a true victim, and especially not of the Holocaust.

This deception would likely have never been revealed but for the tenacity of not only the book’s original publisher, who was sued (and, as it turns out, wrongfully awarded millions) by Misha, but also a genealogist, a journalist and others.

The fact that Misha was invited to appear on the Oprah Winfrey show to promote the book but declined was, ironically, one of the early red flags that something wasn’t right. (Oprah, it should be noted, has a long history of promoting heart-tugging memoirs that were later revealed to be largely or wholly hoaxed, along with untold numbers of other dubious and discredited topics.) The film builds suspense as each new piece of information is revealed.

Misha and the Wolves is a story of detective work, deception, and gullibility. It unfolds like a series of Russian dolls, spinning into several smaller mysteries: Is Misha’s story mostly true, like anyone’s subjective recollections and allowing for mistakes, memory lapses, and biases?

Within about 20 minutes (or sooner, if you’ve seen any coverage of the case) it’s clear that Misha’s story isn’t true —or at least isn’t entirely true. But is that significant? Authors James Frey and Joe Mortensen, among many others, eventually admitted to fabricating key parts of their bestselling memoirs, A Million Little Pieces and Three Cups of Tea, respectively. So did Nobel Prize winner Rigoberta Menchu in her book I, Rigoberta Menchu, but all insisted that their books were essentially true.

Or is Misha: A Mémoire of the Holocaust Years entirely fabricated, and if so, to what end? Was it akin to the influential 1971 young adult memoir Go Ask Alice, which was completely made up by an evangelical middle-aged Mormon woman trying to teach moral lessons? Or is Misha delusional, perhaps (understandably) traumatized? In any event there should be independent corroborating evidence one way or the other. If Misha didn’t spend some of her childhood living with wolves and walking through forests to find her parents, then where was she? Surely there would have to be some record, somewhere…

It is perhaps fitting that the real heroine of the film —the person who does indeed find the smoking gun (though where and of what I won’t reveal) —is herself a Belgian Holocaust survivor named Evelyne Haendel. Holocaust memorial organizations are in fact among the most skeptical of such claims, precisely because a handful of people have falsified their Holocaust experiences, and accepting claims without due diligence dishonors real victims.

Writer/director Sam Hobkinson does a masterful job of letting the participants speak for themselves, with one notable exception (revealed in a twist reminiscent of the 2019 documentary Wrinkles the Clown), illustrating conflicting agendas at virtually every turn. Publishers and journalists want a good story; historians and genealogist want the truth; and documentary filmmakers want a blend of both.

For more on Misha’s case see Telling Tales: A History of Literary Hoaxes, by Melissa Katsoulis, and Popular Trauma Culture: Selling the Pain of Others in Mass Media, by Anne Rothe (full disclosure: I’m referenced in the latter book). Misha and the Wolves is curiously reminiscent of another documentary series, also on Netflix, titled The Devil Next Door, out in 2019. That five-part series tells the true story of another elderly, otherwise unremarkable American citizen with murky (and contested) ties to the Holocaust: Ivan Demjanjuk. The retired autoworker settled in Cleveland and was later accused of being a prison guard at a Nazi concentration camp nicknamed “Ivan the Terrible” by his victims. But was he? As the series reveals, the answer is yes and no.

Misha and the Wolves is an excellent piece of documentary filmmaking, and about much more than one woman’s audacious hoax or delusion; it’s about history, identity, authenticity, and why we choose to believe.

Benjamin Radford


By Lisa Brown

Support Saving Farmland

As the Village finalizes documents for purchasing conservation easements on two additional properties with the remaining farmland preservation bond funds, some ask, where does our program go now?

Three things immediately come to mind. We are central to connecting farmers with landowners. (In fact, we did introduce One Gen, currently farming there, to the Trosello fields.) We can help facilitate development plans that include land conservation. We educate landowners about the benefits —tax and environmental— of donating their development rights and placing conservation easements on their land.

While this important work remains to be done, our commission is short one member in spite of at least one qualified application to the administration. This makes doing our job harder. Ostensibly, the reasoning goes that our funds are spent, there is no appetite for passing another farmland bond, and we need to save our bonding capacity to build infrastructure.

In Corrales, farmland is infrastructure. It provides the foundation for continuing agriculture here, which is fundamental to who we are and where we must be headed if we want to preserve the character and economic base of our home. What is a harvest festival without farms? What is our community without a source of local food? What is our environment without open space?

There will always be roads to improve. There will always be equipment to buy. But there will not always be farmland unless we choose to protect it. Instead, there will be fields of single-family houses with garages, demanding our resources.

Two of our most visible and iconic farms remain unprotected. We should act while we can. In fact, our farmland bonds have been more popular with our voters than any of our mayors elected at the same time. We just used our last bond in record time and protected another 26 acres of prime soil as open space forever, adding to the 50 acres conserved by the first bond. We can pass another farmland preservation bond while there is still land and farmers to protect. Why not try?


Dear Editor:

I’d like to recommend that the Village use whatever means possible, including bond funds or last year’s windfall money, to buy the property on the corner of Huff Road and the Interior Drain. It  creates a beautiful link between the Sandoval Lateral and the Interior Drain. It has a couple of buildings on it that could be made into a visitors’ center in the future, or converted to affordable housing for Village employees, or half a dozen other uses. If it is sold for development, it will mean two or three more mega-mansions that we don’t need. If we act and buy it, it could become an integral part of the commons for our village. If you agree with me, please write your Village councillor or the mayor and let them  know.

-Rick Thaler

Dear Editor:

The Unitarian Universalist Westside Congregation is composed of open-minded, thoughtful and friendly people from many religious and philosophical backgrounds. We are a community of people who work to adhere to these seven principles:

• The inherent worth and dignity of every person;
• Justice, equity and compassion in human relations;
• Acceptance of one another and encouragement to spiritual growth in our congregations;
• A free and responsible search for truth and meaning;
• The right of conscience and the use of the democratic process within our congregations and in society at large;
• The goal of world community with peace, liberty and justice for all; and
• Respect for the interdependent web of all existence of which we are a part.

We are part of the Unitarian Universalist Association which adopted these -run general assemblies after grassroots input from members in its congregations across the nation. Our members include people of all religious traditions as well as those with none. We welcome people of all races, ethnic backgrounds and sexual preferences. We ask only that they believe in, and try to adhere to, our principles. To help people develop their own spirits, we offer classes, sociability,  opportunities to work for justice, counseling and weekly services, Sundays 11 a.m. at 1650 Abrazo Road NE Rio Rancho. Our minister is the Reverend D. Nancy Hitt, an American Baptist minister. I think she is wonderful.

-Reverend Judy Deutsch,
UU minister emerita


By Sandi Hoover

As one of many birders in the United States, I can attest to what a weird bunch we are. Behavior can be extreme in pursuit of our avocation. Some are occasional, casual birders, content to see birds in their backyard or nearby. Others are fanatics to the point of obsession. Here are some things to know if you take up birding. Today, birders add an unbelievable $85 billion to the U.S. economy every year! These dollars are spent on equipment and clothing, travel, food, lodging, plus professional guides to help locate birds. According to estimates, nearly one in four Americans considers him or herself a bird watcher.

In appearance, you can expect to be dressed in specialized attire never shown on designers’ runways. It’s amazing how many dollars can be spent to look dorky. Starting at ground level, shoes range from tennis shoes to expensive hiking boots built to repel water and muck collected from trekking through marshes and swamps. Footwear is like a field vehicle —choose carefully because it will get dirty or ruined. The truism about the perfect car for a field trip —take someone else’s— works when thinking about shoes as well. Wear those you would toss.

Moving upward, another essential item is a pair of pants with pockets to carry the necessities of life to ward off the wilderness —even if venturing into the backwoods only 50 feet. The pants should be made of lightweight, quick-drying material with pockets upon pockets to hold sunscreen, bug repellent, lip balm, car keys, a birding guide, identification, tissues, water bottle (hydrate, hydrate, hydrate!), lens cleaner for binoculars, and possibly an iPad. Those pants usually have a zipper to convert them into unflattering shorts. However, in parts of the world where chiggers and ticks exist, one never removes the bottom, no matter how hot it might be. People have a valid concern about ticks, but they are far more visible than chiggers, and it’s relatively easy to eliminate them with a thorough check at home after a day pursuing birds. The real fear is the pain of chiggers.

So the pant legs stay on, tucked into white cotton socks (a look not imitated on fashion pages) to minimize the opportunity to provide a meal for those microscopic mites. Known as red bugs or %@!!*# chiggers, these tiny arachnids worm their way into garments, and onto skin, where they travel until they find a constricted spot —underwear edges preferred. There they bury their proboscis in tasty flesh and inject their digestive mix. If this sounds awful, it is! After dissolving part of a person, they suck up the juices —another lovely image.

The aftermath is worse, leaving you itching for several days with a reaction to mite saliva. If you have never met a chigger, you cannot understand the lengths one will go to avoid being lunch for those almost invisible creatures. Bug sprays on socks, sulfur powder, clothes soaked in DEET (rather death by poisons than the misery of itching and scratching for days on end), all are fair game for chigger avoidance. The wilderness demands toughness —or chemicals. Moving upward. You will want a long-sleeved shirt. Best if sun-and-bug-repellent coated, as well as water-resistant, and anti-microbial, so fellow birders are not offended by odors. Color? Beige or green, and the least flattering shades. Birds won’t smell you coming soaked in bug repellent. Most —excepting vultures have no sense of smell.

Next, a vest replete with pockets, homes for whatever didn’t fit in the pants. Pencil and notebook and at least one zippered pocket for money or keys. Who knows what you can tuck in one of the innumerable inner pockets —a several-course meal at the very least. A hat, again beige, or dull green; camo is mostly taboo, since it has been taken over by gun-toting non-birders. Large picture brim hats are verboten. Now you are properly attired and can proceed to hunt the feathered creatures. No longer do you hunt them as John James Audubon did, with shotgun or rifle. You go afield with ‘bins’ (binoculars) and spotting scopes.

Behavior is the way to identify fanatics. They are beyond the “committed” birders, defined as those who can identify forty different birds. They are unstoppable in pursuit of birds, perhaps obsessive-compulsive. They are the tickers. The movie, The Big Year, poignantly funny, was based on real people who were well-known in the birding community. Tickers need to count the different birds they see and tally them on their score card. The yearlong record was broken in 2016 when one person saw 783 species, dramatically surpassing the previous record of 749.

Scoring these rarities on the owner’s life list counts more than other sightings. Is it the thrill of the chase…perhaps the difficulty involved in spotting? Many people collect coins, stamps, porcelain, antiques, or tractors, if they live in Corrales. These are things occupying space, requiring dusting or maintaining in some way. Birders also collect —experiences and an assemblage that, while it grows, takes no dusting and no space other than bytes on a computer or words on paper. The goal is not just a number; this collection reminds us of our connection to the natural world, and the fragility of its ecosystems.

Birding is a way to observe creatures as they go about their lives. It is voyeurism of a sort, as we peer through binoculars to have a magnified look at their activities. We grab a snapshot of their world; a brief time when we glimpse their abilities. There is irony in that the number of birders is increasing while the number of birds is declining rapidly. The populations of many bird species have dropped by seventy percent or more based on data gathered for a century. This decrease is felt in ways people are not aware of. Birds play important roles in pest control, in pollination, and some are intimately entwined with the creation or propagation of forests. All will be missed if they disappear.

Do we only value things as they become rarer?


By Meredith Hughes
Green chiles are roasting! And—-was it only last month that masks were tossed overboard? Remember? They are back, strongly suggested for indoor use in both Sandoval and Bernalillo counties. That Delta variant —remember “Delta is ready when you are”, from 1968 and 1984? ( Also back, ban on tossable plastic bags in stores.) But this pesky pandemic is no joke. Masks are required inside all APS schools, and Corrales municipal buildings. Positive local news? The redoing of Corrales Road is complete. Bye bye July’s go-to road, Loma Larga.

Do visit the websites of your favorite museums/galleries/organizations to check opening and closing times under the once again revised guidelines. Email event suggestions to Published the first issue of the month, What’s On? invites suggestions one week before the publication date.

• Entry to the IAIA Museum of Contemporary Native Arts (MoCNA) in Santa Fe is free the entire month of August thanks to a generous donation from Jeff Bezos’ ex, MacKenzie Scott, and her husband Dan Jewett. Experience this remarkable gallery at 108 Cathedral Place.

• The Santa Fe Indian Market is on, August 21 and 22, from 8 a.m. to 5 p.m. But, visitors must buy tickets online. This is a COVID-19 precaution, as numbers must be controlled, alas. Masking up is not confirmed, as the market will be outdoors. Check here for FAQ:
Go here for tickets: https://tickets.

• Art Exhibit NM Landscapes, is the current exhibit at Open Space. Artist Gwen Entz Peterson works predominantly with serigraphy (also known as silkscreen).  Since 1973, Peterson has worked on images great and small. The body of her work is predominantly contemporary landscape, but sometimes also is totally abstract. The exhibit runs through September 18. Open Space Visitor Center, 6500 Coors.

• Shakespeare in the Garden returns to the Santa Fe Botanical Garden, after a 2020 hiatus, with As You Like It. (The garden is open Thursday-Monday, 9 to 5 p.m.) Seats are available Thursday-Sunday through August 22. 715 Camino Lejo. Seating is limited so get your tickets at The performances begin at 6:45 p.m.

• Albuquerque Concert Band Summer Concert, August 11, 7 p.m. Free and easy! New Mexico Veterans Memorial Park, 1100 Louisiana.

• The 27th annual Santa Fe Wine Festival at Las Golondrinas, August 14 and 15, starting at noon each day. 334 Los Pinos Road, Santa Fe. Tickets: https://tickets.holdmyticket. com/tickets/376047

• Steven Michael Quezada’s Comedy Showcase, September 2, 7:30 p.m. at Tableau in the Hotel Albuquerque. Best known for his work in "Breaking Bad,” Quezada introduces stand-up comics from all over, once a month, as well as himself. Tickets are $25:

• Another World: The Transcendental Painting Group, on exhibit through September 26 at the Albuquerque Museum. Take a meditative stroll through this exhibition—the “group” came together in Taos in 1938, “to discuss and perpetuate an alternative to the social realism and homespun Americana that had been promoted by Regionalism and the Ash Can school.” While the artists involved kept working, Agnes Pelton having moved to California, the group itself disbanded after the Second World War. 2000 Mountain.

• Albuquerque Little Theatre has resumed live performances, through August 29. Its third production, Neil Simon’s Barefoot in the Park, runs August 19-29, Thursday- Saturday at 7:30 p.m. and Sunday at 2 p.m. 224 San Pasquale SW. Tickets: https://click4

• Ready, Set, Grow, via NMSU. August 18, 3 to 4 p.m. Planning for Fall Vegetables, with John Garlish. Register at

Did You Know?
It’s back, the longest running, biggest such event here, Albuquerque Home & Garden Show at Expo New Mexico—plants and garden plans, home improvement/decor, demos, artisans (?), food, and multiple promotions…hot tub sales! Masks likely will be encouraged. August 14, 10 a.m. to 5 p.m. August 15, 10 a.m. to 4 p.m. $5 admission, unless you are a child 12 and under. 265-3976.
Plus: Be sure to explore the colorful, clear, and completely new and revised website for Corrales Main Street. Brava and bravo to those involved.
In Corrales

• Corrales Arts Center is bursting with offerings this month. Into wine? Visit each of the four Corrales wineries, experience interviews of the owners by Jim Hammond, enjoy tastings. $75. And/or try “The World of Japanese Sumi-E Painting with George Leone,” Japanese ink painting, August 7,14 and 21, 9 a.m. to 4 the Community Center, 4324 Corrales Road. Fee is $50. Register at

• Village Council meeting, August 17, 6:30 p.m., still posted as via Zoom.

• Heidi’s Raspberry Farm has opened for U-Pick, but, it’s possible few spots will be available by this issue’s publication date… Still, people drop out, so there’s always hope. Saturdays, 9 a.m. Check 62xfhws3

• Planning and Zoning meeting, August 18, 6:30 p.m., still posted as via Zoom.

• Corrales Library Book Club, August 30, 2:30 p.m., “The Sparrow,” by Mary Doria Russell, a 1996 provocative sci fi and philosophy tale centered on a Jesuit priest exploring a new planet. Author series, August 31, 7 p.m., Paul and Carlos Meyer on their book “Under the Cottonwood Tree.” A full color Latinx children’s adventure graphic novel set in Algodones, New Mexico, illustrated by Margaret Hardy. Please contact Sandra Baldonado for Zoom event details.

• Music in Corrales is ready to sell you tickets to its 35th season, kicking off with the Bobby Shew Jazz Sextet, September 18, at 7 p.m. “Our current plan is to hold the first two concerts – September and October – in La Entrada Park, near the Corrales Community Library, then move into the Old San Ysidro Church in December.” To buy season tickets see To view the season’s offerings, see http://www.musicincor

• Corrales Growers’ Market. Weekly Sunday sessions in August, 9 to noon. August 8, 15, 22, 29. Wednesdays, also 9 to noon. August 11, 18, 25. Still no dogs allowed… no music, either.

• Village in the Village. Coffee hour, Fridays, 9 to 11 a.m. in person at Corrales Bistro. Reservations are required. Call 274-6206 or email corrales.viv Book Club, August 16, via Zoom, 3-4 p.m.“City of Thieves,” by David Benioff, set in Leningrad during WW2.


Dear Editor:
Just read the 24 July issue of Corrales Comment, and found it to be an especially good read, with articles that were not only interesting, but informative on issues of the day.
The climate change article was especially interesting to me, and let’s hope that the increasing prominence in the press will finally convince the public to get serious about it.
Thanks for the good work!
Paul Stokes

Dear Editor:
Because of preexisting medical conditions in my family, I have been, and continue to be, very cautious to avoid exposure to COVID and its variants.  I was recently referred to physical therapy due to some spinal problems.  During my evaluation, I answered the many questions of the therapist, then I asked her a question: are all the therapists here fully vaccinated?  I was quite surprised when the answer was “we don’t ask our employees if they are vaccinated.”  I was shocked. 
I followed up with Presbyterian Healthcare to find out if that was indeed their policy and the answer was yes and it’s not clear if patients are discouraged from asking.  I have had Pres Healthcare for many years, and never had a complaint with them before now. 
I find their policy to be outrageous.  I appreciate that we each have rights.  But physical therapy is not a procedure that can be done safely distanced and the sessions are not quick. Pres has put me in an untenable situation, and I find it to be unacceptable.  Pres is not taking account of their patients’ right to be treated in safety.  
I suggest that you ask questions of your healthcare providers. Take nothing for granted.
Sam Thompson


Pig *** Co-written and directed by Michael Sarnoski. Starring Nicolas Cage and Steve Tisch. Plugs: None. Nearest: Cottonwood Mall.

The story in Pig cleverly unfolds piece by piece as the setting gets increasingly larger. The film begins with one man in front of a fire by a stream deep in the Oregon wilderness. His name is Rob, and the story expands to his hermit cabin, and to his pet pig, who he uses to find —or, rather, with whom he finds— expensive truffles in the forest undergrowth. The story expands further with the appearance at the cabin of a young hotshot aspiring restaurateur named Amir (Alex Wolff) who arrives to buy Rob’s truffles and bring supplies.

All goes well until Rob’s pig is stolen. This happens early in the film, and the bulk of the story is basically about a man trying to get his pig back. The story opens up even wider when Amir joins Rob (providing transportation to the city, and companionship) as they search high (tony restaurants) and low (scrubby back alleys) in search of information on who took the pig with the specialized truffle-scouting snout. For those wondering how this is going to sustain a feature-length film, writer/director Michael Sarnoski breaks his story down into parts and uses these characters to symbolize larger themes of loss and authenticity, with mixed success. Pig is reminiscent of films such as Captain Fantastic (2016) and Leave No Trace (2018) —both also set in the Pacific Northwest forests— as well as Susan Orlean’s book The Orchid Thief, the basis for the film Adaptation (2002), starring none other than Nicolas Cage.

 This is the sort of story where a character sets out to see someone and it magically happens. The person seems to somehow be in just the right place at the right time to catch the other person alone, unoccupied, and in a receptive mood. It’s tricky to criticize the film for this, however, because the story is essentially a fable, and characters in fables are typically shallow and stereotyped: the villain, the handsome prince, and so on. Here we have a rugged, truth-living mountain man and his fake city slicker friend, and others who are various shades in between this yin and yang. While Pig may at its heart be a fable, it’s a filmed fable and thus audiences (and critics) have a reasonable expectation that the characters will be more fleshed out, for narrative purposes if no other.

There are two pivotal scenes which are played achingly earnest yet unfortunately ring false. I won’t detail them, but they involve Rob confronting people from his past and making them face their inner Truths over the course of a few minutes. Encounters with Rob tend to leave people reflecting on their lost dreams, a theme which may have read great on the page but on the screen comes off as pat, forced and unconvincing. Overall the performances are good, and Cage manages to avoid chewing the scenery; I just wish the script gave the actors more to work with.

You can see why Cage —who, let’s be honest, has not been the most discerning of actors— was drawn to the film. He gets to play a mysterious recluse, a man of few words but a reservoir of wisdom. He gets to play off of a series of foils including Amir, who offers a study in (often ham-handed) contrasts. Amir’s ostentatious, consumerist-driven, highfalutin’ life in Portland is seen as vacuous compared to Rob’s simple, rustic, idealized life of dubious hygiene and porcine-assisted truffle rustling. Truth is in the freedom and wilderness, while the city life is full of evil and deceit. We get it —and so does Rob, because as we come to learn he was once in that world. Pig is an odd, mediocre film; it’s better than its premise suggests, but often a bit too precious and ponderous, taking itself much too seriously.

—Benjamin Radford


Ourzazate and Erg Chebbi, Morocco
A few days after arriving in Marrakesh, on a lark I joined a handful of fellow travelers staying with me at the Hotel Afriquia —including a young female yoga instructor and her manager/boyfriend; a pleasant Irishman named Conor who spoke impenetrable brogue; and four Aussie girls on a three-day tour of the Central Atlas Valley, east of the city. We’d be seeing gorgeous gorges and classic casbahs as we wound through the mountains toward the Sahara, finally ending up among the most picturesque parts of the desert, the famed Erg Chebbi dunes. It’s been the backdrop to many films, perhaps most memorably The Mummy, which starred Brendan Fraser and had come out several years earlier, in 1999. It’s the beautiful, if stereotypical, image that most people have of the Sahara.

 We headed out in a van, which was decent but with a total of 18 of us, a bit tight. Marrakesh has its exotic charm, but we were all eager to get out of the city and see the countryside. That enthusiasm was soon sapped by heat and tedium; for about half the trip we were all pretty tired. The van’s air conditioning did its best given the head count and the fact that we were headed toward one of the world’s greatest deserts, but between that and the engine droning all of us were asleep at some time or another —including, I suspect, the driver. We weren’t bored, but there were long stretches between points of interest, and usually a helpful neighbor would nudge me when something interesting approached, for a photograph if not a nodding, bleary acknowledgement.

It cooled a bit as we headed into the High Atlas’s sheer rocky cliffs. Further along the land flattened out into desert, and strongly resembled New Mexico in many ways. The lack of water thwarted any farming, and the strong winds would likely blow any seedlings away. The main industry was tending sheep, and we saw at least a dozen shepherds tending flocks of a few dozen sheep listlessly scrounging scarce scrub. The occasional buildings were usually in earthtones, and were in fact earth —not cement and certainly not wood. Along the road huge cactus plants grew in long rows, marking off property boundaries, as did piles of rocks which reminded me of the stone figure inukshuks I’d seen on the Canadian tundra along Hudson Bay.

Unfinished construction was common; about one out of every five buildings I saw lacked some important structural feature —usually a roof, or one of the walls. At times a would-be property was introduced with a large metal or wooden painted sign optimistically advertising (and often depicting) a lush hotel or resort which didn’t seem to have gotten much past pouring a foundation or planting a few (long since dead) trees. It was a sad and poignant scene that might have inspired Shelley’s lines about Ozymandias, king of kings. Despite the heat everyone got excited as the giant sloped dunes of Erg Chebbi came into focus through the wavering desert haze and heat, like a giant light pink slug on the horizon, lying in wait as we approached. About 40 minutes later we arrived at a small parking area that seemed to be surrounded by nothing but high sand dunes. We disembarked —reminded to bring our all-important 10-dirham quarts of bottled water— and were led around an otherwise invisible space between dunes where we found a waiting camel train.

We were each handed a wool blanket saddle and told to stand near the camels. All this was handled by a pair of Berbers, who were dressed in brilliant, deep blue cloth and, improbably, barefoot. I first noticed it when Conor, who was nearby, shouted some Irish gibberish to me. I smiled and pretended I understood him, but I think he was onto me and pointed at his, and then their, shoes (or lack thereof). The Berbers, both likely in their thirties, were deeply tanned, with pitch black hair and fierce mustaches that stood in contrast to their friendly grins and rudimentary English. One by one each tourist was placed on a correspondingly-sized camel. There were two camel trains, each characteristically surly (yet grudgingly dependable) animal tied with rope around their mouths, stomachs, and tails.

Off we went, leaving any torpor to the wind and sand. We were on a Grand Adventure, and each lurching plod of my camel shook off lingering drowsiness as we headed into the desert. Since I was a young boy I’d always fantasized about crossing the Sahara. We weren’t technically crossing it, of course… we were, at best, getting a tiny, touristy take on it. But it was still as close as I’d get, and I savored every second of it. I tried to get some photos of the desert and camel train behind me, but the disruptive dromedary made it impossible to steady the camera. The dunes were a delightful creamy pinkish tan, dotted only with the occasional small shrub and walnut-sized lumps of camel shit.
After about an hour covering perhaps two miles we came upon a Berber camp consisting of three low tents (the edges were about three feet off the ground and only accessible by crawling) surrounded by a large carpeted area. Our bags were stowed under the tents, and we were told we’d sleep outside on the carpet, unless a sandstorm came up, in which case we’d head to the tents.

Our camp was surrounded by dunes and at the base of the largest, probably 50 feet high. I was eager to explore the area in the waning hours of the day. I was told that was fine, but not to wander too far from camp. So —minding a compass and heading toward the setting sun for orientation— I immediately tried to test both my endurance and our guides’ patience. Unlike the Berbers I was wearing hiking boots, which protected my feet but whose weight made walking more arduous. Nevertheless I climbed about two or three big dunes before deciding I should turn 180 degrees and head back, following my tracks (as the only sign of where I’d come, there being nothing but blue skies and identical dunes all around me). A sudden sandstorm could be dangerous, if for no other reason than by erasing all traces of my return path, hence the compass.

As I walked back I noticed another camp, one I hadn’t seen when hiking the other direction, partially hidden by dunes. At first I thought it was another tourist camp, since many different tours often take customers to more or less the same places. But as I drew closer I realized it was a real Berber camp, and there was indeed a real Berber family living in it, with a small herd of goats nearby. This pleased me immensely, as it closely resembled our own camp. Tourists, of course, would never truly experience a desert nomad’s life after a single night on the edge of the Sahara, but it seemed reasonably authentic.

Upon returning I wandered a bit more, though staying within sight of the camp. I soon heard a bell ring and joined everyone for a dinner of bread with a bowl of peas, potatoes and goat meat. After desert dessert consisting of an orange, people broke into groups. Some swapped travel stories, and pretended they knew what the hell Conor was saying. Others discussed politics, while still others shared lame jokes. All was fine until a guitar somehow materialized and some idiot decided that everyone should sing songs. That was my cue to call it a night. I didn’t mind the butchered “Yellow Submarine,” but I didn’t come all the way to the Moroccan Sahara to hear “American Pie” sung by people who stumbled through everything but the chorus.

 I took a sleeping pill and tried to fall asleep, picking a place on the edge of the carpet just outside the campfire light, but the goings-on were too distracting. I decided to sleep on top of the big dune, by myself, under the star-sprinkled night sky. I slowly edged out of sight, hoping the Berber twins didn’t take a head count. I brought only a bottle of water and my glasses, and made my way up the sliding sand to the crest of the dune. I settled in and had a front-row seat to the heavens. I could see for miles, nothing but dunes, stars, and the occasional faint glow of what might be other camps in the far distance —maybe a few hundred meters away, maybe many miles. No cities, no light pollution, no nothing. I soon stripped down to my underwear, carving out a small sand hollow for my shoulders and hips. A welcoming Saharan breeze cooled me off, sometimes sprinkling sand into my eyes, nose and ears. I didn’t care; I savored that as well. I made a pillow of my rolled-up pants and shirt and drifted to sleep with a smile, another childhood dream realized.

Benjamin Radford


By Barry Abel
Welcome back! The last year was difficult for so many we all know —relatives, friends— all over the country.  Activities curtailed, restaurants closed, isolation the reality of each day. Now we celebrate another beginning. Corrales and the rest of the country are open for business. Restaurants are busy and social and recreational activities resume. How will our reawakening look and feel? For those of us in Village in the Village, we are slowly getting back to in-person social activities. We had our first happy hour outside at Casa Vieja. The setting was lovely. Coffee hours on Friday mornings at the Bistro are ongoing, and by now we’ve held our first monthly lunch for members. Our board had its first in-person meeting in over a year.

ViV is planning a “Discovery” lecture series in the early fall —we don’t have the venue yet but hope to find a place in the village. We already have terrific speakers lined up to discuss resiliency, the new law in New Mexico that allows Medical Aid in Dying, caregiving and caretaking, and more. Stay tuned. As I’ve noted in my last two columns, we joined ViV to give back, to make our neighbors’ lives easier, to enable seniors to continue living independently in their own homes as long as they wish and are still physically able to do so.  We get the rewards of participating in that mission all the time. But the best and most unexpected reward is finding a whole new group of good friends and companions through ViV. All the social functions (some noted above) enable us to find the community that makes life easier and so much more rewarding.  Those who grew up in the area still have that network of family and friends from childhood to call on in good times and bad. But many of us found Corrales, and even New Mexico, later in life. We have family and childhood friends scattered all over —they’re just not here.  For us, ViV has been key to building our own support and friendship network right here where we choose to live.

I’m convinced that the peacefulness and lack of stress to living in Corrales are significant factors in enabling so many we know to extend their lives significantly beyond the lifespans enjoyed by the last generation, back where we grew up. Having a group of good friends and a support network is an important part of that reality. We hope you will join us as members of ViV.  You don’t have to provide services to be a member —just being a member, you help support our mission. Plus, you should know that all members have the opportunity to request services when needed.

Need help hanging that new large screen on-the-wall TV?  Need a ride to the airport or to the eye doctor for that appointment where they dilate your eyes?  ViV members can call or email and our friendly call manager will find a fellow ViV member to provide the service that you need.  And all the friendships and group support, the learnings from the “Discovery” series, exploring new places for lunch or coffee, all that is just a wonderful bonus. We’re looking forward to getting to know you.

Barry Abel is an active member and volunteer in Village in the Village. For more information, visit our website at


By Barry Abel
Why ViV
Many of us have chosen Corrales as the community in which we wish to live now that we have retired and can settle wherever we choose. That means we come here without family or the benefits of our long-time support groups. Corrales is exactly where we want to be. We build a network here of friends; we find so much to do. But later in life, we will need something more.

To many of us, Village in the Village/Corrales (ViV) helps in both areas: we form many friendships with other Corraleños in and through ViV and, in times of need, we find the assistance we require through ViV which provides volunteer friend- and neighbor-like services to members who need them.

Recent events involving friends and extended family have underscored this for me, especially the need for support and help when the time arises. Two couples were involved - in one, the husband was stricken by a profoundly serious affliction and hospitalized, very ill, sedated. His recovery will be long and will require significant speech and physical rehabilitation. In the other couple, the husband's cancer, which he had had for three years hardly showing any evidence thereof, finally reached his brain. He died about a week later.

In both cases, the wife isn't able to continue to live independently without a partner to help carry the burden. In one situation, there really wasn't any backup or helping community group where they lived. The full burden fell onto family members —a grown child who lived a four or five-hour drive away in the neighboring state and a sister, now 80, at the far end of the country. In the other situation, the couple belonged to ViV.

Despite the unanticipated death of the husband, ViV stepped in to help. We visited our friend in her own home, took her to lunch, helped her process what had happened and focus on her future. Those services from ViV gave precious time for the couple’s grown children to put affairs in order, proceed with cleaning out the house, make arrangements for their mother's future, and so on.

It just underscored the point about why we choose to be members of ViV. Another ViV member and long-time Corrales resident who, at 95, has lots of friends in the community and especially in ViV, comments there is simply no way she would still be alive and functioning without the support she gets and has received from ViV and its volunteers, much less still be living in her own house at this age.

For some, active church groups can fill that role. For some, family members who live in the same area can do it. For many of us, ViV fills that role. And the fact is, making sure one has that network of support becomes more and more important the older we get.

We believe it is essential, especially if you are single and “not so young anymore,” to make some sort of arrangement for yourself. Do it for what ViV offers in the present, or simply for ‘just in case’. For many of us, Village in the Village provides the answers. ViV offers social opportunities —weekly gatherings in person and via Zoom like Friday morning coffee or breakfast and a monthly Happy Hour, learning opportunities, active activities like bocce ball. And ViV significantly expands the number of our friends in our chosen community - Corrales.

Barry Abel is an active member and volunteer for Village in the Village. For more information about the organization go to


Cuyabeno, Ecuador 2015
As destructive as oil development in Ecuador’s Amazon region has been, we would not have been able to experience the remarkable headwaters of the world’s mightiest river system without it. Exploitation of the country’s petroleum reserves opened up the vast, flooded rainforest in the northeast corner of Ecuador, near the convergence of its boundary with Colombia and Peru.

Roads carved into the “impenetrable” forest brought in hordes of oilfield workers and pipeline installers so that the black treasure could be pumped away, over the daunting Andes range and on to the Atlantic for export.

World attention has been fixed on the rampant deforestation of Brazil’s Amazon region, which is finally recognized as an unparalleled crisis for the planet’s ecosystem. But the 2.9 million square- mile basin —the world’s largest, draining about 40 percent of the continent— covers much more than the expanse in Brazil where the burning of cleared land has exacerbated carbon accumulation in the atmosphere.

Ecuador is one of the smaller South American countries, especially compared to Brazil, but devastation of its rainforest derives from extraction of fossil fuel rather than burning of trees or the clearing of land for grazing. Ecuador has oil reserves estimated at eight billion barrels.

International concern over wanton destruction of Ecuador’s Amazon region gave rise to an ambitious program for a 2007 deal by which the Ecuadorian government would prohibit oil development in the Yasuní Reserve if the international community would pay $3.6 billion in exchange. When only $13 million was raised, the deal was cancelled and petroleum exploitation began in 2016.

As a result, swathes of Ecuador’s Amazonian rainforest have been cleared, the equivalent of 110 football fields a day on average. To service some 3,400 oil wells there, more than 6,000 miles of roads were carved into the jungle, especially around Cuyabeno. In one of the region’s indigenous languages, Siona Secoya, “cuyabeno” means “river of kindness.”

For various reasons —one suspects they include the remote location, bribes to regulators, and the powerlessness of native tribes —oil companies contaminated surrounding waterways with dumped petroleum waste and spills. In 2011, an Ecuadorian court levied a settlement of $9.5 billion against Chevron, which had acquired Texaco’s disastrous oil extraction legacy here. That judgement dampened the industry’s interest for a while. But in 2019 more oil fields were acquired in the area around the Reserva de Producción Faunística Cuyabeno.

The lakes and waterways here in the eastern foothills of the Andes receive an average of 180 inches of rain yearly —often more than 15 feet —which pours into the vast Amazon floodplain.

Easily ranked among the most biologically diverse regions in the world—especially considering that so much of the surface is water—the reserve is home to 10 species of monkeys, two species of river dolphin, jaguar, puma, boa constrictors, anaconda and nearly 600 species of birds.

Getting around is limited almost entirely to boat during much of the time and to visit some parts, paddles are the chosen method of propulsion to maintain serenity for wildlife. Gliding slowly beneath the jungle canopy, we can see monkeys crossing the waterways in single file except for the occasional rebel who leaps from a high branch to land on a cushy mat of vegetation at water’s edge and rejoin the troop.

I first visited Ecuador’s Amazonas territory in 1962, a young journalist invited to accompany two government officials inspecting rain-eroded roads into the jungle. Passing Shell Mera, the oil exploration outpost established by Royal Dutch Shell in 1937, we continued on to the very end of the unpaved road where we did, indeed, find severe damage.

Shell abandoned the village and its airstrip after about ten years, but both were revived in 1954 by missionaries determined to spread Christianity to the jungle tribes. Five of the missionaries were killed with spears by members of the Huaorani tribe (also known as Aucas) six years before my first visit. The region’s Jivaro tribes were also thought to still produce shrunken heads, known as tsantzas, in those days.

The lure of oil riches soon attracted more intense exploration by U.S. companies which announced in the early 1960s that they had found nothing of interest. But Ecuadorians were convinced that was false—that the oil companies had simply capped the wells to await more favorable market conditions. That inflamed anti-American sentiment while I was there in 1962.

That suspicion proved justified; by 1980 Ecuador produced an estimated 230,000 barrels of crude oil daily. Now most of it comes from wells around, and even inside, Cuyabeno Reserve.
Jeff Radford


By Steve Komadina
Out of the Pandemic? I have met with veterinarians and trainers in the last three months, and it is satisfying to witness the great awakening in the horse world. As restrictions have been cautiously raised, the interaction of equine fanatics has begun to unfold. It has been a tough year with loved ones lost and others weakened by the COVID-16 virus. Therapeutic riding programs closed, and stables were on lock-down. But we are waking up and coming alive and the excitement is palpable. Most encouraging is the excitement for many big shows like the Arab Youth Nationals in Oklahoma this month. A scan of the entrants shows many New Mexicans and classes with 40-60 entrants. These numbers have not been seen for several years even pre-COVID. There was time for training and private lessons during the lock-down and now everyone is anxious to try for that ribbon or trophy or even the roses!

Rodeo also is alive and well. Rodeo events are springing up in every little community and the kids are ready to ride. Horses and children: not ready to go away yet! Sure, there are some who would rather jump on an ATV, or just close the door to their room and spend hours immersed in a video game killing hoards trying to storm the castle or outrun the police as they make their heist of millions. But there still are those youth who saddle up and learn to work with another breathing, living, thinking being who will take them to their dream destinations. For eons, humans have partnered with these great animals to explore the world and find new horizons of opportunity. The horse youth of today can experience the same thrills and hard work and yes, even discomfort known to those who lived in the past.

My grandpa Pollock was a cowboy in Tropic, Utah and he gathered cattle in Bryce Canyon and moved them to new pastures in the late 1980s. He never quite left that life behind as he married and moved to Salt Lake City, where he worked as a barber and raised a family. I have looked at his picture leaning on his saddle horn and found it easy to close my eyes and imagine him riding along with me through the bosque and sharing thoughts as we watched the sun come up over the Sandias. I never knew him, but I think we were soul brothers when it came to love of a good horse between our legs.

Here is to the horse youth of today! Ride on and win that ribbon or capture that dream. Do not be afraid to hit the trail and follow the paths of those who went before. You are blessed to live in Corrales and do not miss the opportunity to wave if you see me on the trail. Saddle up! Tomorrow may be too late.


Marked-down Dog
Patricia Walkow
I met Bing on the Internet. A failed show dog, he was on sale and needed a home. A mahogany-toned, one-year-old Belgian Tervuren, he lived in Ogallala, Nebraska. I lived in New Mexico.

My husband, Walter, and I had just lost our half-Belgian rescue dog, Cheyenne. After his death, silence invaded our home with sinister tendrils of loss. We wanted another dog, preferably a Belgian, but a dog who needed a new home.

Belgians aren’t too popular in the United States, so we searched for one online. For five weeks, none were available, but our name was in some queue out in the ether. At week six, Walter received an email about a young male —Bing— who needed a home.

“Why is he available?” we wondered. The breeder answered our questions: Bing was a head-shy show dog who growled at the judges. She couldn’t breed or show him.

“OK, he has issues,” remarked my husband. We offered to adopt him.

The adoption application required us to provide photos of our backyard and the dog’s sleeping area inside the house. We supplied references and wondered if the breeder would run a criminal background check and credit report on us. The questionnaire asked how much we thought it would cost to feed the dog, provide medical care, and supply the dog with “enrichment” and toys for a year. Would we purchase pet insurance?
Three weeks after submitting our application, we learned we were among the finalists to be awarded —yes, awarded— Bing. Not that he would be free, but his price was reduced because of his issues. The competition was on.

We sent photographs of our previous dog, Cheyenne, at Big Sur, walking in nearby parks, and eating at outdoor restaurants.

Still, there was no decision about who would get...I mean be awarded...Bing.

To clinch the deal, I sent the breeder reprints of my newspaper column, Dog’s Day Out, which was published in our local newspaper where I lived in Los Angeles. Cheyenne and I visited different venues and “we” wrote about the great things for dogs and their humans to do. The column apparently made an impression and —here’s that word again— we were awarded young Bing. With one stipulation. The dog must be neutered, so the shyness trait would not be passed on. The breeder would have him fixed.

We drove from Albuquerque to Ogallala in one day. 613 miles. We spent the night in a motel and arrived at the breeder’s house early the following morning, where a pack of nine Belgian Tervurens greeted us: Bing’s father looked like a bear; his mother was dainty. His brothers, sisters, aunts, uncles, and cousins welcomed us.

But not Bing. He stood apart.

Accompanied by an entourage of dogs that rivaled the President’s Secret Service detail, we entered the breeder’s house. All tails were wagging, all faces relaxed.

Except for Bing.

With one whistle from the breeder, each dog settled into its cage.

Not Bing. He clung to his mistress.

My husband and I gave each other a knowing look. “It’ll be OK,” I whispered.

The breeder gave us Bing’s favorite toy. The other dogs followed as we exited the house. Bing’s parents jumped into our car, while Bing stood beside the car, refusing to get in.

I coaxed his mom and dad out of the vehicle, then Walter guided Bing inside. I felt guilty taking him away from his family.
Images of sun and clouds casting rippling shadows on vast expanses of rolling range land made for a beautiful drive. And, since I was driving, Walt turned his full attention to our new pet.

I didn’t care for the name “Bing.” The dog’s American Kennel Club name was “Aktion Pak Behaving Badly,” a moniker he would live up to by rummaging through garbage pails, bounding over walls, eating sneakers, and so on. But we didn’t know all that, then.

“What do you think of the name ‘Ranger’?” I asked.

“I like it,” Walt responded.

Bing became Ranger, and though he was our dog, by Denver he belonged to Walter.

Ranger loved riding in the car, excelled at agility courses, and was game for anything —hiking, al fresco dining, doggie day care, dog parks, Halloween parades, hotel stays, and endless rounds of fetch. Yet, he remained a shy dog who felt safest with Walter.

No dog lives long enough. Ranger died at fifteen-and-a-half and we cherish the memories of our marked-down Internet dog.

Column: Reflections From a Country Store

Spring Without Burpee Seeds

Every spring I take stock.
I look around my village to see what we might have lost since this time last year.  The feed store still sells baby chicks.  Someone plowed the fields at the north end, and buds are swelling on the apple trees.
At the Frontier Mart we still sell asparagus gathered from along the irrigation ditch, and children still buy jacks, marbles, jump ropes and kites, but near the door between the Popsicle freezer and the 50-pound dog food, the garden seeds are gone.
Last year I received a letter from Mr. Burpee saying we hadn’t sold enough seeds to warrant sending more.  I miss getting the big parcel where tab A slid into slot B and all that cardboard folded magically into a panoply of snapdragons and four-o-clocks, zucchini, carrots and lima beans.
No sooner would I assemble the display and arrange the seeds than men in coveralls would come to read the seed packets, to contemplate the sunlight, soil and water requirements, and to count the days until maturity.  They fingered the envelopes like kids in the candy aisle, then carried their selections away like little packets of promise.
Three of my seed customers were Ramón and Julio Tenorio and Walter Atkerson.  Maybe a storekeeper shouldn’t play favorites, but in 18 years of business, Ramón, Julio and Walter are at the top of my list.
The three of them grew corn and cabbage and they raised pigs.  Ramón and Julio were brothers from one of Corrales’s old  families.  On spring mornings Julio and his horse, Smokey, plowed the field at the corner of Tenorio and Corrales Roads.
Walter was a true cowboy who had come down from Colorado (pronounced Colo-ray-do) in the 1940s. He’s the only 82 year-old I’ve known who rode his horse every day.
Ramón and Walter were best friends who traveled together.  When Walter’s car wouldn’t start, they rode to my store on a tractor with Ramón in the driver’s seat and Walter standing alongside.  They bought Jimmy Dean sausage, single-edge razor blades, and shaving cream in a cup with a bristle brush.  Heading home, the old tractor crept along the two-lane road at fifteen miles per hour, and cars moved into the left lane to pass.  Traffic was light then, tractors commonplace.
On Friday nights when I saw Ramón and Walter’s tractor parked at the Territorial House, I’d stop and find them in the bar.  Ramón talked about family and farming.  Walter told about his days as a cowboy on the Black Ranch.  After a while I’d say, “I have to go.  You guys behave.”
Ramón would look offended.  “I always behave,” he’d say.  “I work hard and go to church every day.”
Walter rolled his eyes and mumbled something about blowing smoke.
Julio, Ramón, and Walter haven’t been in the store for a long time now.  We didn’t mark their last visit or say goodbye.  One day we just realized they hadn’t come in.
I’m told Julio and Ramón died more than a year ago, and Walter’s gone now, too.  I think of them whenever I think of spring and farming and Burpee seeds.  It makes me look around to see what’s missing.  Then I memorize what we have left in case it comes up missing next year.  What I’m trying to say is, if I’d known it was my last Burpee seed display, I would have paid more attention.
Editor’s note: This column was first published in Corrales Comment 26 years ago, but readers said it was one of their favorites. Jean Waszak agreed to have it published again in this special Garden and Landscape issue. Other columns of hers may re-appear from time to time.


Even though movie theaters have been closed during this pandemic there are other ways to see films, such as via Netflix and many streaming options. For those who would like to see first-run films which would be in theaters now, Albuquerque’s own independent Guild Cinema is offering a home viewing option. You can find a wide list of films at, and a portion of the screening fee goes to support the Guild. Unless otherwise noted, all films reviewed here are available at that link. The Guild and other local theaters are, or soon will be, opening at partial capacity.

The Woman Who Loves Giraffes: The Story of Anne Innis Dagg HHHHH Directed by Alison Reid. Plugs: None.
Available via for a limited time

The new documentary The Woman Who Loves Giraffes tells the story of a remarkable Canadian woman named Anne Innis Dagg, who first became fascinated by giraffes as a young girl upon seeing them at the Chicago Zoo. Though virtually unknown —and certainly not as recognized as some of her female contemporaries including Jane Goodall and Dian Fossey— in the early 1950s, Dagg was frustrated and surprised that there was very little written about the biology and behavior of giraffes.

Only 23 at the time, in 1956 Dagg decided that she would have to do the research herself. She then traveled to South Africa to study giraffes in the wild. This would have been an impressive enough feat in its own right, but is even more remarkable when we consider the social and political climate of the time. In the 1950s young women simply didn’t do that; they were supposed to get married and raise children, not head off to Africa alone to study wild giraffes.

Dagg had applied to live and study at ranches near where giraffes roamed wild, and was roundly rejected —because, you know, it’s a dangerous area and no place for a woman! Nevertheless she persisted, and eventually a South African citrus farmer named Alexander Matthew reluctantly agreed to house her. She then spent months in the field taking extensive notes about all aspects of giraffe behavior. Her research led to writing the definitive textbook about giraffes —one that is still used and taught to this day. She and Matthew became and remained life-long friends.

But The Woman Who Loves Giraffes isn’t just about giraffes. Dagg’s story is also told through the prism of sexism (and, to a lesser degree, racism, insofar as her research was done in apartheid-era South Africa). Upon her return, Dagg was denied tenure at the University of Guelph in 1972 despite her original research, impeccable credentials, and articles in peer-reviewed publications.

One of her professors at the time is interviewed and claims —mostly unconvincingly— that there was in fact no Old Boys Club thwarting her career and that Dagg had merely given up seeking tenure too soon.

Sadly, the impediments soured Dagg on academia and she turned to other things, including raising children and writing books about sexism and feminism. (In 2019 the University of Guelph issued a formal apology to Dagg and established a research scholarship in her name to support undergraduate women studying zoology or biodiversity.)

Dagg had assumed she’d been long forgotten, but that wasn’t in fact true. With a few parallels to the documentary Searching for Sugar Man, unbeknownst to Dagg her seminal books on giraffes were still widely read and revered in the (admittedly niche) world of giraffe experts and zoologists. The last third of The Woman Who Loves Giraffes focuses on Dagg’s unlikely return to both (some semblance of) recognition and the South African ranch where she did her pioneering research some half-century earlier.

It’s a bittersweet return in part because the giraffe populations have since been decimated (she notes ruefully that during her years there it hadn’t occurred to her that giraffes might ever be endangered, because they were so plentiful and beautiful). The film points out that while other African animals such as gorillas, elephants and rhinos (quite rightly) get attention and donations, giraffes for whatever reason don’t elicit quite the same sympathy from the public and wildlife organizations. The film suggests that donations can be made to the Reticulated Giraffe Project.

Director Alison Reid masterfully combines archival footage and current interviews, and must have been delighted that Dagg had appeared on a 1965 episode of the game show To Tell the Truth, which opens the film. The Woman Who Loves Giraffes is a wonderful and inspiring story of a strong, fearless female scientist who led an astonishing life and contributed groundbreaking zoological research about these endangered animals.
Benjamin Radford


By Meredith Hughes
“All pandemic-related occupancy restrictions on all forms of commercial activity have been lifted. All businesses across the state may once again operate at 100 percent of maximum capacity. In addition, all limitations on mass gatherings are gone; businesses, large events and organizations may operate at 100 percent of maximum capacity, whether indoor or outdoor.” And, fully vaxxed people can forego masks, while the unvaxxed can pretend they are. Ready to go wild? Yes, personal recreational cannabis use is legal but, guess what? It’s complicated: no recreational cannabis transactions are legal. Yet. Do visit the websites of your favorite museums/galleries/organizations to check opening and closing times under the new guidelines. Email event suggestions to Published the first issue of the month, What’s On? invites suggestions one week before the publication date.

• The Albuquerque Public Library is presenting a slew of online Facebook events in July, from No Bake Dog Treats July 12 at 4 p.m. to A Medieval Chainmaille project, July 16 at 6 p.m. Plus Polka Music with Mike Schneider, July 20, at 11 a.m. and STEM in Fairy Tales, July 23, at 6 p.m. Check things out at and/or

• The Museum of Indian Arts and Culture in Santa Fe is offering another in its Native Pottery Demonstration Series, this one featuring Gabriel O. Paloma of Zuni Pueblo, July 14 at 10 a.m. via Zoom. Paloma is a traditional potter and educator from the Pueblo of Zuni, and a SWAIA Fellowship Award Artist (2004). “His goal is to revitalize Zuni polychrome styles from the 1800s and 1900s.” Register at https://tinyurl. com/3efaaa

• A Celebration of Lavender, July 10, 17, arts/crafts/ photography and more, Los Ranchos Art Market Cooperative, from 8:00 a.m. to 1 p.m. at the Los Ranchos Art Market. For info text 978.578.6297. 6718 Rio Grande Blvd.

• The National Hispanic Cultural Center, July 13, 8 p.m., presents Compañía Flamenca Irene Lozano “Lachiqui de Málaga” – Las Mujeres Que Habitan en Mi, described as “a stunning tribute to all of the women and the possibilities that have influenced Lozano’s life and art.” Tickets: The center also is offering guided tours of the Mundos de Mestizaje fresco by Frederico Vigil in the Torreón. Thursdays and Fridays at 11 a.m. on the NHCC Campus. Mundos de Mestizaje depicts thousands of years of Hispanic culture, history, and identity, and the 4000 square foot painting is said to be one of the largest frescos in North America. Admission for the tour is $2 and tickets are available for advance purchase at /events/31,34,1116,1097?view=calendar Tickets also can also be purchased in the New Mexico Mutual Welcome Center, depending on availability. Capacity for each tour is limited. NHCC, 1701 4th Street SW, now open Tuesday-Sunday, 10 a.m. to 4 p.m.

• In Bloom is the first in person gallery exhibit since the pandemic era by the New Mexico Art League, on now through July 17. 10 a.m. to 4 p.m., Tuesday through Saturday. And it’s also viewable online at 3409 Juan Tabo.
• Albuquerque Little Theatre has resumed live performances, through August 29. It’s presenting three productions: Barrymore, The Belle of Amherst, and Barefoot in the Park. Thursday – Saturday at 7:30 p.m. and Sunday at 2 p.m. Barrymore, Dickinson and Neil Simon, how can they miss? 224 San Pasquale SW. Tickets:

• NM Humanities Council launched a new series called Starting Conversations this spring. One presentation of particular interest is called Acequia Aqui-- Placemaking and Placekeeping, with a focus on the acequias of Taos. It is available on YouTube.

• The Iconic Judy Chicago, at Turner Carroll Gallery, Santa Fe, opening reception Friday, July 16, 2021, from 6-7 p.m. Described as a “social justice” artist, Chicago, now 81, a resident of Belen, New Mexico, is getting a major retrospective at the de Young Museum, San Francisco, from August 28, 2021 –January 9, 2022. Turner Carroll has posted not only a 12 minute film on Chicago’s printmaking career, but is also offering up several of said prints for sale. 725 Canyon Road. 986-9800

• Ready, Set, Grow. July 21, Medicinal Plants, 3 p.m. free session with Dr. Ivette Guzmán. Guzmán introduces us to common garden and house plants that have medicinal value. ( Cannabis, too?) Guzmán is the Assistant Professor of Horticulture at New Mexico State University.

Webinar registration here: For more info on the Guzmán Farm-to-Cell research group, visit https: // Did You Know? You, too, can create an aquaponics setup at your place. Wasn’t this a project you meant to get to during COVID? Growing veg from water infused with fish, uh, poop, and eating the fish as well? It does require water, which is becoming scarce, but not that much of it. And many ’ponics people power their projects with solar. So now, as we apparently enter the post pandemic era, aquaponics expert Charlie Schultz of Santa Fe Community College is doing a free four-part series of which you can partake. He’s working with Rossana Sallenave, NMSU College of ACES, and though the course starts July 8, you can catch up. July 15, 22, 29, from 6 to 7:30 p.m. You must register for this free course. For full details see https://bernalilloextension. and click aquaponics. In Corrales

• Jazz in July, presented by Corrales Arts Center. Zoom jazz experiences in four sessions, featuring trumpeter Bobby Shew, record producer and collector, Joe Washek, and singer with a Phd in Jazz Studies, Diane Richardson. July 11, 2:30 to 4 p.m.; July 13, 2 to 3:30 p.m.; July 20, 2 to 3:30 p.m.; and July 27, 2 to 3:30 p.m. $20. Contact Joann MacKenzie for information at or 771-2244

• Village Council meeting, July 20, 6:30 p.m., still posted as via Zoom.

• Corrales Bistro has packed its calendar with numerous musical offerings, so do not miss The Incredible Woodpeckers July 17, at 7 p.m. Performances at 7 p.m. nightly , 3 p.m. Sundays. The Bistro’s calendar for 2021 is viewable at

• Planning and Zoning meeting, July 21, 6:30 p.m., still posted as via Zoom.

• Corrales Library. Book Club, July 26, 2:30 p.m., “City of Thieves,” by David Benioff, set in Leningrad during WW2. Author series, July 27, 7 p.m., Carolyn Graham on her book “New Mexico Food Trails.” Please contact Sandra Baldonado for Zoom event details. sandra@corraleslibrary. org.

• 33rd Annual Old Church Fine Arts Show still seeks entries, from now to July 15. The show will run in person October 2-10, October 11-31 online. Info:

• Corrales Growers’ Market. Weekly Sunday sessions in July, 9 to noon. July 11; tentative first Wednesday market July 14, also 9 to noon; July 18; July 21; July 25; July 28. Still no dogs allowed…no music, either.

• Village in the Village. Coffee hour, Fridays, 9 to 11 a.m. in person at Corrales Bistro. Reservations are required. Call 274-6206 or email corrales.viv Book Club, July 19, via Zoom, 3-4 p.m. The classic “A Canticle for Liebowitz,” is a “post-apocalyptic science fiction novel by American writer Walter M. Miller Jr., first published in 1959. Set in a Catholic monastery in the desert of the southwestern United States after a devastating nuclear war…”

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